CAROLINE CRAMPTON: A lot of the theoretical material that I'd read about hypochondria very much positioned it in this binary situation that either someone has, quote, real illness, i.e. illness that you can detect with a scan or a blood test or some other diagnostic tool, or "It's all in their head and it's made up," and those are the only two ways it can be. But, just personally, I feel like I'm pretty much constantly experiencing some combination of the two. And I think the idea that there is unwarranted fear: I don't think there is any such thing as unwarranted fear, to be honest.
Read moreAllusionist 187 Bonus 2023 transcript
It is the annual Bonus episode - because the people who appear on this show always say so much good stuff, it doesn’t all fit into their original episodes, so at the end of each year we get to enjoy all the extra bounty. Coming up, we’ve got a mythical disappearing island, geese, human dictionaries, the dubious history of the Body Mass Index, a Eurovision thing that has puzzled me for years, Victorian death department stores, and much more.
Read moreAllusionist 186 Ravels transcript
MIRIAM FELTON: No; I think, as with most of these things, they're just named after people. The people themselves don't really have much association with it. Like the Earl of Cardigan didn't ever wear a cardigan as far as we know.
HZ: What? What?? I assumed that he was out there on the battlefields in a cardigan.
MIRIAM FELTON: Like a nice fair isle one with all the stranded colour work? That would have been awesome.
HZ: Just some kind of frontally divided knitted garment. But no?
MIRIAM FELTON: No.
HZ: What?!
MIRIAM FELTON: Not as far as we have any evidence.
Allusionist 184 Misophonia transcript
JANE GREGORY: Misophonia is an extreme reaction to certain sounds and not an aversion to all sounds, but an extreme reaction to specific sounds. And the most common sounds are eating and heavy breathing and kind of repetitive sniffing and coughing and things like that. Which are also sounds that most people don't like the sound of, but people with misophonia will get a much more intense reaction, so it might be more like a fight or flight kind of response, a feeling of anger or panic as opposed to feeling annoyed or irritated or disgusted by the sound. And there's a bit more to it in terms of what goes on around the sounds as well. So it might be feeling trapped or helpless when they can't get away from these sounds. It might be listening out for sounds, even when there aren't any, or continuing to listen to see if the sound is still going, even if it's stopped. And doing things to organize your life around sounds or to cope with sounds. when they happen. So most people who don't like a sound will just deal with it. For people with misophonia, they have to do things to not be able to hear it or to be able to cope with their reactions to it.
HZ: Rather than just grimacing.
JANE GREGORY: Exactly. I mean, there's also some grimacing, but probably also some glaring.
Allusionist 182 Siblings of Chaos transcript
HZ: I thought the etymology of 'gas' was a big surprise as well.
SUSIE DENT: Oh, yes. It is a sibling of chaos.
HZ: In a sense, we're all siblings of chaos.
Allusionist 181 Cairns transcript
LINDSAY ROSE RUSSELL: I don't think James Murray felt like he was alone in making the Oxford English Dictionary. I think he was keenly aware of himself as a part of a very large and many tentacled team. In a lecture he gave in 1900, he talked about every lexicographer as adding their stone to the cairn. You know, cairns like the little things when you go hiking that are piles of stones that tell you you're still on the right path. So I think Murray understood his own work as contributing to a larger lexicographical project where he was not a lone dictionary maker in the effort of dictionary making more grandly. But, I don't know; in history, I think it's easier to tell the story of a singular man. Because of course it's easier to tell the story of a singular man, as opposed to the story of thousands of people working on a single dictionary and doing all different kinds of things.
Read moreAllusionist 180 Project ENABLE transcript
STERLING MARTIN: Growing up, I've always had an interest in science and that's something my family helped nurture. Also just growing up, there weren't many Navajo words in science. Then I went to undergrad at the University of Iowa and my parents were like, "Oh, what are you doing?" And I worked in a research lab, so I could get some bench experience, and just trying to explain to them what I was doing scientifically, I could tell they weren't really catching on to what it meant.
Read moreAllusionist 179 Andy Quiz transcript
HZ: Which of the following sweeteners is named after an ancient Greek mythological character? A. saccharine, B. agave, C. stevia, D. aspartame?
ANDY ZALTZMAN: Well, Steve is not an ancient Greek mythological character. He's the third wheel In the Bible origin story along with Adam and Eve.
HZ: They got rid of him in the translations.
Allusionist 178 Uranus transcript
Have you ever wondered why the planets in our solar system are all named after Roman deities, except two of them?
One of those exceptions is Earth, which means, well, earth, and it doesn’t fit the system because it wasn’t formally discovered by humans, it was where they already were, so when they started identifying planets thousands of years ago, they hadn’t yet counted Earth as one.
And the other exception is Uranus.
Read moreAllusionist 176 Fat part 1 transcript
AUBREY GORDON: The words that always bothered me considerably more than ‘fat’ are the many, many, many euphemisms that people who aren't fat come up with to supplant fat.
HZ: ‘Curvy’. My chins are.
AUBREY GORDON: Totally. I'm like, “I have one curve, guys! I'm just like an egg shape.”
Allusionist 174 Eurovision part 1 transcript
The Eurovision Song Contest has given us the international renown of Celine Dion, Måneskin, Dana International, Conchita Wurst and Riverdance; tear-off skirts, nul points, shiny shiny costumes, a band of babushke dancing around an onstage bread oven; not to mention fraught politics, within and between nations. And most importantly for our purposes: linguistic intrigue! So much linguistic intrigue.
Read moreAllusionist 173 Death transcript
EVIE KING: I mean, if I was to google synonyms of ‘dead’ - let's try that. Synonyms, ‘dead’. See what comes up. ‘Deceased.’
HZ: ‘Deceased’ is just Latin for death.
EVIE KING: ‘Late’, ‘lost’, ‘lamented’...
HZ: ‘Lamented’!
EVIE KING: ‘Expired’ - expired! Like a cheese. ‘Departed’. ‘Gone’. ‘No more. ‘Fallen. ‘Slain’. Now you're starting to infer causes of death. ‘Slaughtered’, ‘killed’ - see, it escalates quickly. There’s not much, there's not much is there?
HZ: Which is odd considering how much death there is everywhere for everyone.
EVIE KING: Yeah, you get more, more synonyms for very boring words, don't you, very workaday words. I think basically maybe it comes down to the fact that dead is dead and we all know what that means, universally dead is dead, and there's no getting away from it, there's no escaping it and there's no getting around it. So we just have to face that word and use it. And if we don't feel like saying dead, we'll just go “passed away”.
HZ: Maybe that's the thing: maybe we don't need new vocabulary yet until we've learnt to get comfortable with ‘dead’.
EVIE KING: And then we can start really jazzing it up. Creating fun terms! Like, you know, when you get things like ‘bottomless brunch’ - that kind of thing for ‘dead’. I think we all know we've arrived when we've got a jazzy snazzy word for ‘dead’.
HZ: Something to look forward to.
Read moreAllusionist 168 Debuts transcript
HZ: The work that RFSU does has included, over the past three decades, coming up with new terms, to fill gaps in the vocabulary or provide more options for talking about sex and bodies.
KALLE ROCKLINGER: Sometimes it's to highlight or make something visible that's not been really talked about. Sometimes it's to change norms in society in some ways, and sometimes it's been sort of a really strategic choice for us in our political work to refuse a certain term or way of describing things, to tell another story, so to speak.
Read moreAllusionist 167 Bonus 2022 transcript
TIM CLARE: Hippocampus, meaning ‘horse’ because it looks like a a sea horse, right? …Oh, don't look at them! They look absolutely terrifying!
HZ: I I've never seen a hippocampus, so I don't know.
TIM CLARE: There is a real David Cronenberg-like element to them.
Allusionist 166 Fiona part 2 transcript
HARRY JOSIE GILES: I don't think that anyone should come away from this conversation not wanting to use the name Fiona. I think this is a beautiful and rich history. It might not be quite the history that you imagined, but I think it's a beautiful history.
Read more