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The Allusionist

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A PODCAST ABOUT LANGUAGE
BY HELEN ZALTZMAN

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The Allusionist

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Allusionist 217. Bread and Roses, and Coffee transcript

September 24, 2025 The Allusionist
A boggle grid spelling out the words bread, roses, coffee

I was really interested in what were the stakes of calling your restaurant feminist? What were you holding yourself accountable to? What were you trying to signal to potential customers? What were you trying to say to staff and so forth?

HZ: What were the consequences? Because there were a lot of like upsides and downsides to having 'feminist' in the restaurant's name.

ALEX KETCHUM: Yeah, for sure. Some of the upsides were that you were signalling to other likeminded folks or curious folks that this could be a space for them to gather. There was an indication of the politics of the space. So it was an indication of what kind of events you might find, speakers you might find, artwork and music you might see and hear in the space.
There were also ways that people might feel more invested in the space, that they might contribute time or money or energy, or be just interested in visiting. Calling it a feminist space oftentimes was also one of the many code words, during the 1970s and 1980s, to also signal lesbian space or questioning space; or a term we might use today, but would be anachronistic at the time, as kind of like a queer women's space. So, this was a way of marking like, "Hey, you might be welcome here, your sexual orientation might be accepted, you might hear a poet you're interested in hearing," and so forth. So, there were a lot of kind of benefits in building community and interest in the space by indicating the term. 
And then the downsides could also be, you know, there's bias against the word 'feminism'. Some people would feel uncomfortable with it or push back on it. There was also a concern from many of the people who founded these spaces that they might be targeted for violence. They might get rocks through the windows and so forth. Generally, that wasn't the case with a few exceptions, but there was also kind of a heightened level of fear in choosing to mark your space so explicitly.

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In transcript Tags society, culture, words, language, history, etymology, vocabulary, Alex Ketchum, 1970s, 1980s, USA, cafes, restaurants, coffee shops, spaces, feminists, feminism, lesbians, queer, trans, LGBTQIIA+, female, menu, food, signalling, politics, code words, hierarchy, collectives, waitstaff, cooks, chefs, terminology, social, work, labour, workplace, Bloodroot, ecofeminism, vegetarian, vegan, eating, recipes, dishes, food eponyms, eponyms, alcohol, caffeine, drugs, dieting, diet culture, dele, gourmet

Allusionist 185 Gems and Patties transcript

November 21, 2023 The Allusionist

I've got a doctorate in this, and I have got dwarfism, but there'll always be an average-sized person whose only recollection of dwarfism is through Snow White, and yet somehow they'll construct themselves as the expert, and tell you it's not offensive or, “No, you've got that wrong.” 

HZ: Also by having it on bags of sweets, that's kind of the ultimate “It's okay to say this in normal conversation”.

ERIN PRITCHARD: Yeah. But you do get through to some people, some people go, “I never realised that. I never knew that.”

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In transcript Tags vocabulary, history, Erin Pritchard, Chris Strikes, renaming, names, branding, brands, rebranding, rebrand, Telling Other Stories, slurs, offensive terms, food, foodstuffs, food terminology, patties, patty, Patty Wars, Toronto, Canada, Canadian, UK, British, Britain, ableism, little people, dwarfism, medical conditions, disability, discrimination, racism, bias, equality, activism, campaigning, supermarkets, Caribbean, Jamaica, Jamaican, product names, wrestling, pastry, Lloyd Parry, Brian Mulroney, Michael Davidson, law, beef, hamburgers, burgers, meat, meat puck, Patty Summit, 1985, 1980s, Patty Day, 23 February, yaw

Allusionist 101. Two or More - transcript

June 24, 2019 The Allusionist
A101 logo Two or More.jpg

MARK WILKINSON: If you talk about something a certain way for enough time over a sustained period of time then it will likely affect the way people perceive that issue, right? So if something is framed in a certain way over a sustained period of time, you always hear the same words for something, then eventually it frames the way you think about it.

HZ: In this case, he’s been studying the use and framing of the word ‘bisexual’.

MARK WILKINSON: I think bisexual - the word bisexual, and the people as well - the word has had a really rough go of it. 

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In transcript Tags words, language, linguistics, education, comedy, entertainment, society & culture, arts, literature, Helen Zaltzman, etymology, lexicon, vocabulary, bisexual, bisexual erasure, pansexual, fluid, sexuality, romance, love, sex, sexes, gender, gender binary, binary, LGBTQIA, bisexual+, plus, plurisexual, omnisexual, sexual orientation, identity, gender identity, nonbinary, NB, enby, genderqueer, unisex, androgynous, androgyny, hermaphroditic, Lord Byron, music, musical instruments, perfume, fragrances, hats, products, clothing, clothes, semantic shifts, fashion, intersex, Wolfenden Report, HIV, AIDS, 1960s, 1970s, 1980s, 19th century, Germany, heternormativity, uranian, urning, Richard von Krafft-Ebing, Alfred Kinsey, Kinsey Scale, God, The Times, Times newspaper, newspapers, press, media, news, reviews, past tense, Plato, Symposium, Uranus, Aphrodite Urania, womanizer, relationships, semantic shift, Karl Heinrich Ulrichs, queer, queer history
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Allusionist 221. Scribe
Allusionist 221. Scribe
Allusionist 220. Disobedience
Allusionist 220. Disobedience
Allusionist 219. Making Trouble
Allusionist 219. Making Trouble
Allusionist 218. Banned Books
Allusionist 218. Banned Books
Allusionist 217. Bread and Roses, and Coffee
Allusionist 217. Bread and Roses, and Coffee
Allusionist 216. Four Letter Words: Terisk
Allusionist 216. Four Letter Words: Terisk
Allusionist 215. Two-Letter Words
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Allusionist 212. Four Letter Words: Park
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Allusionist 211. Four Letter Words: -gate
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Allusionist 210. Four Letter Words: 4x4x4 Quiz
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The Allusionist by Helen Zaltzman is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.