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A PODCAST ABOUT LANGUAGE
BY HELEN ZALTZMAN

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The Allusionist

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Allusionist 101. Two or More - transcript

June 24, 2019 The Allusionist
A101 logo Two or More.jpg

MARK WILKINSON: If you talk about something a certain way for enough time over a sustained period of time then it will likely affect the way people perceive that issue, right? So if something is framed in a certain way over a sustained period of time, you always hear the same words for something, then eventually it frames the way you think about it.

HZ: In this case, he’s been studying the use and framing of the word ‘bisexual’.

MARK WILKINSON: I think bisexual - the word bisexual, and the people as well - the word has had a really rough go of it. 

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In transcript Tags words, language, linguistics, education, comedy, entertainment, society & culture, arts, literature, Helen Zaltzman, etymology, lexicon, vocabulary, bisexual, bisexual erasure, pansexual, fluid, sexuality, romance, love, sex, sexes, gender, gender binary, binary, LGBTQIA, bisexual+, plus, plurisexual, omnisexual, sexual orientation, identity, gender identity, nonbinary, NB, enby, genderqueer, unisex, androgynous, androgyny, hermaphroditic, Lord Byron, music, musical instruments, perfume, fragrances, hats, products, clothing, clothes, semantic shifts, fashion, intersex, Wolfenden Report, HIV, AIDS, 1960s, 1970s, 1980s, 19th century, Germany, heternormativity, uranian, urning, Richard von Krafft-Ebing, Alfred Kinsey, Kinsey Scale, God, The Times, Times newspaper, newspapers, press, media, news, reviews, past tense, Plato, Symposium, Uranus, Aphrodite Urania, womanizer, relationships, semantic shift, Karl Heinrich Ulrichs, queer, queer history

Allusionist 99. Polari - transcript

May 13, 2019 The Allusionist
A99 Polari logo.jpg

HZ: In 1982, Princess Anne, the second child of the Queen of England, Olympic Equestrian, is competing at the Badminton Horse Trials.

PAUL BAKER: She's jumping over all these obstacles and oops, she slips and falls in the water off an obstacle. And all of the photographers rush forward to take a photograph, and she tells them to "naff off". Or "naff orf".
HZ: She's not allowed to drop an F-bomb really, she's a royal.
PAUL BAKER: No, but 'naff' was a Polari word.

HZ: Polari. Just a couple of decades before, it would have been unthinkable that someone like Princess Anne would have used a Polari word, or that she would even have known one.

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In transcript Tags words, language, linguistics, education, comedy, entertainment, society & culture, arts, literature, Helen Zaltzman, etymology, lexicography, Polari, slang, argot, lingua franca, secret, secrecy, code, Cant, camp, drag, criminals, decriminalisation, LGBTQ, history, gay, gay culture, homosexuality, 1950s, 1960s, 1970s, 20th century, BBC, Mary Whitehouse, Sisters of Perpetual Indulgence, Julian and Sandy, Kenneth Horne, Kenneth Williams, Hugh Paddick, sex, Round the Horne, innuendo, Italian, Parlyaree, London, Britain, police, gender, dating, Princess Anne, Princess Royal, royals, West End, East End, clobber, zhoozh, cline, navy, merchant navy, Americanisms, queer, queer history

Allusionist 79. Queer - transcript

June 1, 2018 The Allusionist

AMY SUEYOSHI: I see 'queer' as an umbrella term, as a political call for revolution as well as unity across different groups of people.

JONATHAN VAN NESS: I think of it definitely with positive and loving energy around it, I don’t think of it as an insult at all; growing up, I would have thought of it more as an insult. I think it was in 2015 when we got marriage equality, and the media, especially the LGBTQ+ media, began to use it as an umbrella term, something we could all be part of. So I think I got the cue from media to know that it was a gorgeous amazing word, one where we’re taking the love back and it wasn’t one to be offended by any more.

KATIE MINGLE: I haven’t always loved the term for myself, because it feels like an umbrella term that you can use if you’re gay and in a relationship with someone of the same sex, or you can use if you’re a basically straight couple who occasionally has a threesome with someone. That’s what ‘queer’ has come to mean: anyone who’s not inside the norm.

AMY SUEYOSHI: I think it's rejecting things like patriarchy and heteronormativity, mandates of morality. So not just to be able to keep things gray or to be postmodern, post category, but instead rather to call for a true revolution of the way we see the world, the way we categorize the world. So it's not just about LGBT rights per se but it's about creating a world that's more respectful of equity and thinks about diversity as a plus and values different ideas as a side of radical change rather than fear.  

KATIE HERZOG: I sort of hate it. It’s too broad.

TOBIN LOW: It's so useful. I mean especially as there is this proliferation of identities that people can call themselves and identify with and really claim, it's a great way of just sort of acknowledging that it's all in the umbrella and that it's all valid; it's just like a way of acknowledging the validity of all the things, which I think is great.

ERIC MARCUS: This word has tortured me.

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In transcript Tags words, language, history, sexuality, sexual identity, sexual orientation, gender, gender identity, identity, non-binary, trans, transgender, queer, queerness, queer history, queer studies, LGBTQIA, oppression, suppression, gay, lesbian, bisexual, homosexuality, bisexuality, law, legal, homophobia, NYC, New York, Pride, Queer Nation, USA, San Francisco, protest, reclamation, reclaiming, Queer Eye, Jonathan Van Ness, Getting Curious, Amy Sueyoshi, Eric Marcus, Making Gay History, Nancy, Kathy Tu, Tobin Low, Oscar Wilde, Bosie, Lord Alfred Douglas, 19th century, 20th century, 21st century, sexology, sex, military, WW1, WW2, World War One, World War Two, Presidio, Baker St Vice Ring, California, semantics, Queensberry, respect
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Allusionist 231. Lingthusionist
Allusionist 231. Lingthusionist

“Linguistics and language is such a good mechanism for being curious,” says Lauren Gawne, linguistics prof, author of the book Gesture, and cohost of the podcast Lingthusiasm. I'm in vacation mode (although not on actual vacation alas), so today's episode is a fun chat with our nice pal about making language podcasts, the firey digestive punishments for linguistics researchers, working in reality television, and cute tame nouns versus scary intimidating verbs.

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Allusionist 230. Draculae part 4: Transformation
Allusionist 230. Draculae part 4: Transformation

Throughout the Draculae miniseries, about the Swedish and Icelandic translations of Dracula that played fast and loose with the original text, I've been wondering a couple of questions: why are cover versions of songs and remakes of films so normal and acceptable, whereas cover versions in book form cause such a stir? And do these Scandinavian Draculae count as fan fiction? And if not, why not? Fansplaining.com's Elizabeth Minkel explains what fan fiction can mean.

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Allusionist 229. Draculae part 3: Hunting Down the Count
Allusionist 229. Draculae part 3: Hunting Down the Count

Many mysteries accompany the revelations that Powers of Darkness, the Icelandic and Swedish versions of Dracula, are not direct translations of Bram Stoker's original, but stories that significantly differ in character names, plot and runtime. Like: did Bram Stoker write it himself, to publish some raunchy content that British censors would forbid? Was Powers of Darkness based on his early drafts? And did he really not copyright Dracula in the USA was that a deliberate ruse? Welllll... brace yourself for ole thrill-destroyer Zaltzman to pop your balloons of excitement.

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queer playlist
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Allusionist 228. Draculae part 2: Surprises in the Vaults
Allusionist 228. Draculae part 2: Surprises in the Vaults

Happy World Dracula Day to all who celebrate!

This is the second episode of the Draculae miniseries, about a literary mystery which came to me via a meme: “Someone translated Dracula into Icelandic, and it took over 100 years for anyone to point out he just made a fanfic rewrite of what he wanted the story to be.”

In Draculae part 2, Ásgeir Jónsson explains how he got that Icelandic adaptation of Dracula back into print, to little fanfare - but then Dutch scholar Hans Corneel de Roos set about making an English translation. Following that: like me, Will Trimble also got meme-struck, and that propelled him to get a translation of the Swedish version that begat the Icelandic one.

Before listening to this, check out the first episode of the Draculae miniseries explaining the three versions of Dracula: Dracula published by Bram Stoker in 1897; the Icelandic version Makt Myrkranna by newspaper editor Valdimar Ásmundsson, serialised in his newspaper Fyallkonan in 1900-1901; and the Swedish version Mörkrets makter by an author known only as A—e, and serialised in a couple of Swedish newspapers 1899-1900.

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Allusionist 227. Draculae part 1: Enter the Castle
Allusionist 227. Draculae part 1: Enter the Castle

A literary mystery came to me via a meme.

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Allusionist 226. Suburbia
Allusionist 226. Suburbia

"The word ‘suburbia’ sort of evokes a very fixed idea of a place that is identikit, that all suburbs are the same, that within the suburb everything is the same, that all people are the same, all experiences are the same," says social historian and author John Grindrod. "I think it has this kind of flattening-out facility, that word, that isn't true."

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Allusionist 225. Hues
Allusionist 225. Hues

You know what's an absolutely pesky kind of word to define in a dictionary? Colour names. A passel of lexicographers spent years - decades, even - trying different ways to describe colours in words for Webster's Third International Dictionary. It was such a huge, complicated effort that it took twelve years for former Merriam-Webster lexicographer Kory Stamper to write a book about it.

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Allusionist 224. Cosmic Hairball
Allusionist 224. Cosmic Hairball

Pack your oxygen tank, we're going up to space. There’s a lot of etymology up there.

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Allusionist 223. Bonus 2025
Allusionist 223. Bonus 2025
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Allusionist 222. A Christmas Carol
Allusionist 222. A Christmas Carol

Today, we read the novelisation of The Muppet Christmas Carol, also known as the 1843 festive lit hit A Christmas Carol by Charles Dickens.

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Allusionist 221. Scribe
Allusionist 221. Scribe

"I have never felt so naked. That's how exposed I felt at the idea that my handwriting was going to be seen by the world," says Tim Brookes, founder of the Endangered Alphabets Project and author of the new book about handwriting By Hand: Can the Art of Writing Be Saved? Writing the book (yes, by hand!) celebrates the act of handwriting, even overcoming the shame arising from his own.

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Allusionist 220. Disobedience
Allusionist 220. Disobedience

“The more we look into social structures, the more many of us realize we don't fit into them," says So Mayer, author of the new book Bad Language, "So each phrase or set of vocabulary is another piece of that dismantlement.” We discuss finding vocabulary for oneself, coming out as a speech act, growing up under Section 28, busting through oppression and shame, and joyous listening.

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Allusionist 219. Making Trouble
Allusionist 219. Making Trouble

A change of scene for one episode: recently the brilliant poet and performer Molly Naylor interviewed me for her podcast Making Trouble, about creativity, and she kindly let me run a version of that episode here for you. We're talking about ideas, but also long-term creative careers, mortality, podcasting, external validation, and Molly offers some great prompts for either sparking ideas or making a dinner conversation a bit more lively.

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Allusionist 218. Banned Books
Allusionist 218. Banned Books

It's Banned Books Week. Honorary youth chair Iris Mogul and Sam Helmick, president of the American Library Association, talk about what it is, why it matters so much, and how you can get involved.

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Creative Commons Licence
The Allusionist by Helen Zaltzman is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.