KORY STAMPER: How do you describe colour in a consistent way without a visual aid? So no colour chips, no paintings – how do you describe colour in a way that makes sense to everybody who hears you describe it, so that all of you are picturing the same colour at the same time? And that seems simple, and is actually really terrible. It is an eternal quest.
Read moreAllusionist 213. Four Letter Words: Dino transcript
lot of dinosaur names as well are just being factual about size, like ‘mega’ - and actually a lot of the names are being factual about other things, like triceratops and pentaceratops: that's descriptive. Three horns; five horns.
HANNAH McGREGOR: Five horns. We're always telling you about the number of horns. And then a lot of them are just like, “We found this in this place.”
HZ: Yeah. The albertosaurus -
HANNAH McGREGOR: Albertosaurus!
HZ: - in Alberta. And, mastodon is meant nipple tooth, or nipple teeth.
HANNAH McGREGOR: …Sorry?
HZ: You look a little perturbed,
HANNAH McGREGOR: Perturbed and delighted. Vagina dentata is a sort of recurring theme -
HZ: It's a passion of yours.
HANNAH McGREGOR: It’s a passion of mine! Ha ha ha. Yeah, yeah, you know what? You're not wrong. It's a recurring theme in the book and my life. and so I'm really, I am intrigued by the idea of adding nipple teeth into the equation.
Read moreAllusionist 209. Four Letter Words: Serving C-bomb transcript
Things have changed for a word that despite being around in written text for 900+ years, didn’t even get listed in the Oxford English Dictionary until 1972.
NICOLE HOLLIDAY: I never say this word.
HZ: No, I feel bad to force you.
NICOLE HOLLIDAY: No, it's funny. Well, I'll say it on podcast, this is professional environment; but in my normal daily life, I can't imagine that I would personally say it. And this might just be like, I'm kind of a prude and I was raised kind of religious, but it does sort of seem like beyond the pale for me personally. I wonder if were 20 if I wouldn’t feel that way, but I spent so much of my life like judiciously avoiding very strong taboos. And this one, just my gut reaction is that it overwhelms. So when you asked me to do this, I was like, “Oh, no! I have to say that word!”
HZ: I'm sorry. We could probably skirt around it and then people can spend the whole episode trying to guess which word we're talking about.
Read moreAllusionist 205. Lexicat, part 2 transcript
MARY ROBINETTE KOWAL: Elsie does lie. I had just given her the "sleepy" button and I was in the kitchen. I was making lunch, and she goes to the button board and she says, "bedroom, sleepy, lie down." I'm like, "What a great contextual use. Yes, absolutely. Let's go take a little nap," and walk into the bedroom. And my cat doesn't come in, and I come back - and she's eating my cheese sandwich. And she has, multiple times, tried to send me out of the room in order to get my food. So when I'm making lunch and she starts talking to me and it's something like, “Go check the litter box” or something like that, food goes into the microwave and then I investigate whatever's happening.
HZ: How did that make you feel? You're like, “I can never trust her again?”
MARY ROBINETTE KOWAL: I don't know. I was like, oh, right. Cat.
Allusionist 204. Lexicat, part 1 transcript
HZ: It's a lot of deductive reasoning happening with how she's using language. Fascinating.
MARY ROBINETTE KOWAL: Yeah, it really is - which is why, when I get comments on videos where it's like, “Oh, this cat is just walking across buttons randomly,” I'm like, no, I have a dog that does that. I daily have moments where I'm like, okay, no, this is really a thing that's happening.
Allusionist 145 Parents transcript
FREDDY McCONNELL: A lot of the time when you hear about trans and non binary inclusion in pregnancy care, the idea is that all of this inclusive stuff is additive. It's not meant to replace language that works for the vast majority of people who are pregnant, which are cis women; it's just this is the language you use if and when you do encounter someone who's trans.
Read moreAllusionist 79. Queer - transcript
AMY SUEYOSHI: I see 'queer' as an umbrella term, as a political call for revolution as well as unity across different groups of people.
JONATHAN VAN NESS: I think of it definitely with positive and loving energy around it, I don’t think of it as an insult at all; growing up, I would have thought of it more as an insult. I think it was in 2015 when we got marriage equality, and the media, especially the LGBTQ+ media, began to use it as an umbrella term, something we could all be part of. So I think I got the cue from media to know that it was a gorgeous amazing word, one where we’re taking the love back and it wasn’t one to be offended by any more.
KATIE MINGLE: I haven’t always loved the term for myself, because it feels like an umbrella term that you can use if you’re gay and in a relationship with someone of the same sex, or you can use if you’re a basically straight couple who occasionally has a threesome with someone. That’s what ‘queer’ has come to mean: anyone who’s not inside the norm.
AMY SUEYOSHI: I think it's rejecting things like patriarchy and heteronormativity, mandates of morality. So not just to be able to keep things gray or to be postmodern, post category, but instead rather to call for a true revolution of the way we see the world, the way we categorize the world. So it's not just about LGBT rights per se but it's about creating a world that's more respectful of equity and thinks about diversity as a plus and values different ideas as a side of radical change rather than fear.
KATIE HERZOG: I sort of hate it. It’s too broad.
TOBIN LOW: It's so useful. I mean especially as there is this proliferation of identities that people can call themselves and identify with and really claim, it's a great way of just sort of acknowledging that it's all in the umbrella and that it's all valid; it's just like a way of acknowledging the validity of all the things, which I think is great.
ERIC MARCUS: This word has tortured me.
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