Dinosaur mouths and dinosaur poop, psychedelic plants, feminist cookbooks, and taking a class in profanity.
Read moreAllusionist 213. Four Letter Words: Dino transcript
lot of dinosaur names as well are just being factual about size, like ‘mega’ - and actually a lot of the names are being factual about other things, like triceratops and pentaceratops: that's descriptive. Three horns; five horns.
HANNAH McGREGOR: Five horns. We're always telling you about the number of horns. And then a lot of them are just like, “We found this in this place.”
HZ: Yeah. The albertosaurus -
HANNAH McGREGOR: Albertosaurus!
HZ: - in Alberta. And, mastodon is meant nipple tooth, or nipple teeth.
HANNAH McGREGOR: …Sorry?
HZ: You look a little perturbed,
HANNAH McGREGOR: Perturbed and delighted. Vagina dentata is a sort of recurring theme -
HZ: It's a passion of yours.
HANNAH McGREGOR: It’s a passion of mine! Ha ha ha. Yeah, yeah, you know what? You're not wrong. It's a recurring theme in the book and my life. and so I'm really, I am intrigued by the idea of adding nipple teeth into the equation.
Read moreTranquillusionist: Person In Scene transcript
This is the Tranquillusionist, in which I, Helen Zaltzman, soothe your brain by saying a load of words that don’t really mean very much, to give you an emotional break by temporarily supplanting your interior monologue with something you can benignly ignore. This isn’t like the usual episodes of the Allusionist, there’ll be no learning, no journey, you don’t have to feel or think anything. And you’ll find previous editions of the Tranquillusionist at theallusionist.org/tranquillusionist, featuring champion dogs, gay animals, punchlines with no setups and more.
Today’s theme was requested by Lachlan, so long ago that Lachlan will have perhaps forgotten, but at some point in the past they wanted a Tranquillusionist featuring the characters from films that don't have names - so in the credits they’re listed as "man in shop", "lady with pram", "angry customer 2".
Read moreAllusionist 137 Dude transcript
Till about the 1950s, ‘dude’ still had this connotation of someone out of place, a tourist trying to dress like a local and failing. And in that sense, it was gender neutral for a bit. Then, somehow, it became cool.
Read moreAllusionist 134 Lacuna transcript
CRYSTIAN CRUZ: Some of the content was censored at the very beginning, but some was censored at the very end of the process. So they were just about to print out the new edition and then they had to stop the machines and say, “No, that's content was not approved, so we have to replace it at the very last moment.” So that guy would have to come up with some recipes.
HZ: That’s a lot of pressure on a linotype printer - not just having to deal with very late changes to the paper, but mentally having to bake a cake too.
CRYSTIAN CRUZ: And then the thing is, they didn't work at all, because the guy had just made it up.
Read moreAllusionist 125 Swearalong Quiz transcript
Today, we’re going to destress, let off some steam, with the Swearlusionist Swearalong quiz.
Read moreAllusionist 123 Celebrity transcript
GREG JENNER: If we look back at classical sources, where do we get fame from? What does it mean? What's the origin point? The Greeks had a goddess called Pheme, and she is a winged, beautiful goddess, with a trumpet. She parps a trumpet. And that is your name being sung into the heavens through the trumpet. So it's a nice thing. It's good. You get fame and it means people going to hear about you. But when you get to the Romans, and we get one of the most famous Roman writers, Virgil, in his Aeneid, he talks about Fama, where we get our word 'fame' from. That derives from the verb 'fari', meaning to speak or gossip about someone. And Virgil's Fama is not a beautiful goddess with wings and a parping trumpet; she's basically Godzilla. She's a terrifying, massive monster who stalks the land and she's covered with eyes and ears and tongues, and she grows in scale the more people that are gossiping about you. So the more you're being chatted about or gossiped about, the larger this monster becomes until she's vanishing into the clouds and she never sleeps. And she hunts you down. And Virgil's version of fame is predatory. It's terrifying. It's this enormous force of nature that comes for you, and there's nothing you can do about it.
Read moreAllusionist 95. Verisimilitude - transcript
HZ: Approximately how many languages have you invented at this point?
DAVID PETERSON: I think I've invented over 50 languages at this point. Not all of them are very large in terms of vocabulary size, and not all of them are very good. I had created about 17 before I ever started working on Game of Thrones.
HZ: The languages you hear in Game of Thrones: Dothraki -
[CLIP] Khal Drogo: “Moon of my life, are you hurt?”
HZ - the various dialects of Valyrian:
CLIP: Daenerys: “Valyrian is my mother tongue.”
HZ: - those aren’t the actors making up some gibberish. Those are functional languages, with large vocabularies and complex grammars and etymologies.
Read moreAllusionist 93. Gossip - transcript
HZ: A thousand or so years ago, the word ‘gossip’ meant something quite different: a family member. The word broke down to ‘god sibb’, like a godsibling, although then the ‘sibb’ wasn’t necessarily a sibling, was more general, could refer to anyone you were related to. And over the next few hundred years, more specifically, gossips were the close female family and friends who would attend to a woman during labour; she would be sequestered and maybe half a dozen gossips would gather in the room to take care of the mother and help deliver the baby and witness the birth for the purposes of the baby’s baptism - at which these gossips, godsibbs, would be the child’s sponsors. And during these confinements, the women would keep each other company and talk. So you can see how the word would evolve to mean the kind of confidential chat you’d have with someone you’re close to, but by the mid-16th century the word had taken on a bit of a disapproving tone, that the talk was trivial and maybe scurrilous - and female. And these associations persist to this day.
LAINEY LUI: One of my goals as a gossip crusader is to end the pejorative way it's presented in culture, that it's a thing that hens do all around, pecking at each other. It's highly feminized, which is why it's not taken as seriously, when in fact the research shows that we all gossip: it's a human way of communicating.
Read moreAllusionist 36: Big Lit - transcript
The term ‘classic’ turned up in English around the start of the 17th century, when it meant ‘of the highest class’ - same meaning as the Latin ‘classicus’ from which it came. It swiftly became the label for ancient Greek and Latin literature, and by the mid-19th century, that sense had been extended to any works with that sort of quality - though when it comes to the classics of English literature, I’m vague about what that quality is. “Written by dead white men”, going by the selection of classic literature that I had to read at school and university. “Big books that make me feel guilty and stupid for not having read them?” “Source material for TV dramatisations involving bonnets?” Seriously, what does ‘classic’ mean now?
Read moreAllusionist 19: Architecting About Dance - transcript
“Talking about music is like dancing about architecture,” said Elvis Costello. Or Frank Zappa. Or Gore Vidal. Or Laurie Anderson. Or Steve Martin. Or the comedian Martin Mull.
I think this is a problematic statement, not just because nobody can agree on who came up with it. But because dancing about architecture doesn’t seem particularly far-fetched - they’re both visual, in fact each medium could probably elegantly reflect the other. Talking about dance, however, is really difficult.
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