The Watergate Scandal’s linguistic legacy: the suffix ‘-gate’
Read moreAllusionist 134 Lacuna transcript
CRYSTIAN CRUZ: Some of the content was censored at the very beginning, but some was censored at the very end of the process. So they were just about to print out the new edition and then they had to stop the machines and say, “No, that's content was not approved, so we have to replace it at the very last moment.” So that guy would have to come up with some recipes.
HZ: That’s a lot of pressure on a linotype printer - not just having to deal with very late changes to the paper, but mentally having to bake a cake too.
CRYSTIAN CRUZ: And then the thing is, they didn't work at all, because the guy had just made it up.
Read moreAllusionist 123 Celebrity transcript
GREG JENNER: If we look back at classical sources, where do we get fame from? What does it mean? What's the origin point? The Greeks had a goddess called Pheme, and she is a winged, beautiful goddess, with a trumpet. She parps a trumpet. And that is your name being sung into the heavens through the trumpet. So it's a nice thing. It's good. You get fame and it means people going to hear about you. But when you get to the Romans, and we get one of the most famous Roman writers, Virgil, in his Aeneid, he talks about Fama, where we get our word 'fame' from. That derives from the verb 'fari', meaning to speak or gossip about someone. And Virgil's Fama is not a beautiful goddess with wings and a parping trumpet; she's basically Godzilla. She's a terrifying, massive monster who stalks the land and she's covered with eyes and ears and tongues, and she grows in scale the more people that are gossiping about you. So the more you're being chatted about or gossiped about, the larger this monster becomes until she's vanishing into the clouds and she never sleeps. And she hunts you down. And Virgil's version of fame is predatory. It's terrifying. It's this enormous force of nature that comes for you, and there's nothing you can do about it.
Read moreAllusionist redux rerun: The Away Team
EMMA BRIANT: Recognizing someone's humanity is crucial. Calling someone a migrant, calling someone an asylum seeker, calling them a refugee. These are official categories; but in many ways, depending on how they use them, they can change and become more negative. And they also preference how officials are sorting them over their very basic humanity.
Read moreAllusionist 109. East West - transcript
ÉTIENNE ROEDER: There are some words that still exist. There are some expressions you could still tell that these people that the people come from the East or the West. For example, in the Western part, they say ‘Plastik’, and in the Eastern part, I would say they say ‘Plaste’ because there was a company in the East - there was actually just one company in the East that produced plastics and that was called Plaste und Elaste, and because of that, all the people would call plastics ‘Plaste’. And you you could still tell today if someone says ‘Plaste’ and instead of ‘Plastik’ that this person is probably from the Eastern part.
ESTHER-MIRIAM WAGNER: ‘Plastetüte’ - plastic bag. I mean I remember going to school with a plastic bag and being sent home because it was a West German bag. This was a very precious item - you would keep a ‘Plastetüte’ for months and you would reuse it and reuse it and reuse it until it was just tatters. That was a precious object.
MATTHIAS EINHOFF: My son, when he tries to identify if someone is coming from a West German or East German family, he asks them how they call the thing that you put your bathroom things in: East Germans say ‘Waschtasche’ and West Germans say ‘Kulturbeutel’. And that’s the ultimate identifier whether you come from a East or West German family.
Read moreAllusionist 101. Two or More - transcript
MARK WILKINSON: If you talk about something a certain way for enough time over a sustained period of time then it will likely affect the way people perceive that issue, right? So if something is framed in a certain way over a sustained period of time, you always hear the same words for something, then eventually it frames the way you think about it.
HZ: In this case, he’s been studying the use and framing of the word ‘bisexual’.
MARK WILKINSON: I think bisexual - the word bisexual, and the people as well - the word has had a really rough go of it.
Read moreAllusionist 94. Harsh Realm - transcript
MEGAN JASPER: I was the lucky recipient of a telephone call from the New York Times in the early 90s when they were writing a huge piece on Seattle, and they wanted to focus on the grunge lexicon. They wanted terms and phrases and words that we all used in the music scene; words and phrases that you would only know if you are part of the Seattle music scene.
HZ: On 15 November 1992, the New York Times printed an article entitled ‘Grunge - A Success Story’, about how grunge had become the latest big thing - ‘from subculture to mass culture’, as the article put it. In the preceding couple of years, the Seattle music scene had been co-opted by the mainstream, and by this point, record labels were putting stickers on album covers saying ‘Seattle’; just a couple of weeks before the NYT article, Marc Jacobs caused a stir in the fashion industry when he showed his grunge collection for Perry Ellis, after which he both won an award and was fired; Vogue printed a ‘Grunge & Glory’ fashion spread; and Kurt Cobain was photographed wearing a T-shirt printed with ‘grunge is dead’, in case you were wondering whether everyone was pleased with all these developments. And chasing the zeitgeist before it dipped below the horizon, there was the New York Times.
“When did grunge become grunge?’ the first paragraph went. “How did a five-letter word meaning dirt, filth, trash become synonymous with a musical genre, a fashion statement, a pop phenomenon?”
Immediately, you notice an error: ‘grunge’ is a six-letter word, not a five-letter word. But that’s just your warm-up error; don’t peak too early.
Read on, and there’s a sidebar entitled “Lexicon of Grunge: Breaking the Code”, “coming soon to a high school or mall near you”. And there followed a list of grunge slang terms.
bloated, big bag of bloatation – drunk
bound-and-hagged – staying home on Friday or Saturday night
harsh realm – bummer
plats – platform shoes
score – great
Not familiar with any of these terms? No. Nor was anybody.
MEGAN JASPER: What they didn't realize is that no such language really existed. And so I decided to have a little bit of fun with it.
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