Allusionist 121 No Title transcript

September 14, 2020 The Allusionist

About to go onstage to perform No Title for the first time, at SF Sketchfest 2019 at the Brava Theatre in San Francisco. Photo by Martin Austwick.

The bank clerk scrolls down and down this list of titles and honorifics, this enormous list of different ways to present ourselves, and I just want an option that doesn’t reflect my marital status, because why did all the available male titles not reflect marital status whereas female ones did? And come to think of it, why do titles reflect gender anyway? Why does anything reflect gender? What is the point of gender?

I was asking a question I am not intelligent enough to answer. And I wasn’t expecting this moment, in the bank, on a seemingly trivial and pointless mission, to be my introduction to gender studies and queer theory, but you don’t necessarily get to choose the learning moments of your life.

And in case you’re sitting there thinking, “Well. If if it’s SO important to you to have a title that does not reflect your marital status or your gender, why don’t you just become a rabbi?” Well, my family lapsed HARD. None of us is becoming a rabbi. We’d never make it. They can see the bacon in our eyes.

Allusionist 118 Survival: Bequest transcript

July 4, 2020 The Allusionist

ELIZABETH KEREKERE: I'm so convinced that transphobia, biphobia, homophobia are such an integral part of colonisation, I reject that as a colonial construct, I reject it as racist.
As they took our land - tried to take all of our land, tried to take all of our language and suppress our culture, they also took our expressions of sexuality and gender. And that is important to us in a core part of our culture, especially because the way that the institutional racism, the intergenerational trauma that is the legacy of colonisation has impacted on us and the levels of discrimination against people with diverse genders, sexualities and sex characteristics, that we see that all of this, all of this was a massive attempt to cover up what was already there and pretend it never happened.

Allusionist 117 Many Ways At Once transcript

June 16, 2020 The Allusionist

HARRY JOSEPHINE GILES: Our behaviour and our desires will always exceed any terminology that anyone can come up with. And so rather than trying to find the right terms - and this for me is like what working in, what trying to come up with an LGBT Scots glossary does: it's a chance to imagine. It's a chance not to come up with the right way of saying things, but to say: what if we thought about it this way? What if we thought about it that way? What assumptions are built into the languages that we use?

Allusionist 101. Two or More - transcript

June 24, 2019 The Allusionist

MARK WILKINSON: If you talk about something a certain way for enough time over a sustained period of time then it will likely affect the way people perceive that issue, right? So if something is framed in a certain way over a sustained period of time, you always hear the same words for something, then eventually it frames the way you think about it.

HZ: In this case, he’s been studying the use and framing of the word ‘bisexual’.

MARK WILKINSON: I think bisexual - the word bisexual, and the people as well - the word has had a really rough go of it.

Allusionist 88. Name Changers - transcript

November 2, 2018 The Allusionist

I changed my name because my parents spelled it wrong.

Why did I change my name? I didn't like it!

I have legally changed my name twice now, first and last. My parents tell this cute story about choosing my name the night before I was born. But as I was growing up, it was one of the most common names for female dogs.

I found out when I was about 12 that I was actually named for an actress that my dad had had a crush on when he was a kid, so I thought that was a bit weird and I didn't really want to hang on to that.

When I was born my parents could not agree on a name for me, and on their last day in the hospital after I was born they were watching the news and there was a missing children's report on the TV with a little girl named Ashleigh, and I was named after her.

Choosing a new name allowed me to drop a lot of the old baggage with the old identity without feeling as though I were betraying it.

Allusionist 87. Name v Law - transcript

October 19, 2018 The Allusionist

JÓN GNARR: I had a daughter in 92, and she was named Camilla after her grandmother, it was Camilla with a C, spelled with a C. And so when I got the confirmation note from the National Registry, where they tell you that your child is now named something in the registry, they had spelled her name with a K. It's confirmed that the child Kamilla Jónssdóttir, blah blah blah. And I called them, because it was spelled with a C, and I just wanted to tell them it was a misunderstanding, my daughter's name is spelled with a C and she said yeah, wait, and I waited on the line and then she came back and she said no, it's no misunderstanding: C has been banned in the Icelandic alphabet.
HZ: C has been banned??
JÓN GNARR: C was banned. Yeah.

Allusionist 86. Name Therapy - transcript

October 5, 2018 The Allusionist

DUANA TAHA: People's issues with the names they choose for their children, and even their own names, are almost never resolved. People don't talk about them. It's the word that you use the most often and the soonest to describe yourself, and yet nobody's really ever talked about how it makes me feel like this.

Allusionist 79. Queer - transcript

June 1, 2018 The Allusionist

AMY SUEYOSHI: I see 'queer' as an umbrella term, as a political call for revolution as well as unity across different groups of people.

JONATHAN VAN NESS: I think of it definitely with positive and loving energy around it, I don’t think of it as an insult at all; growing up, I would have thought of it more as an insult. I think it was in 2015 when we got marriage equality, and the media, especially the LGBTQ+ media, began to use it as an umbrella term, something we could all be part of. So I think I got the cue from media to know that it was a gorgeous amazing word, one where we’re taking the love back and it wasn’t one to be offended by any more.

KATIE MINGLE: I haven’t always loved the term for myself, because it feels like an umbrella term that you can use if you’re gay and in a relationship with someone of the same sex, or you can use if you’re a basically straight couple who occasionally has a threesome with someone. That’s what ‘queer’ has come to mean: anyone who’s not inside the norm.

AMY SUEYOSHI: I think it's rejecting things like patriarchy and heteronormativity, mandates of morality. So not just to be able to keep things gray or to be postmodern, post category, but instead rather to call for a true revolution of the way we see the world, the way we categorize the world. So it's not just about LGBT rights per se but it's about creating a world that's more respectful of equity and thinks about diversity as a plus and values different ideas as a side of radical change rather than fear.

KATIE HERZOG: I sort of hate it. It’s too broad.

TOBIN LOW: It's so useful. I mean especially as there is this proliferation of identities that people can call themselves and identify with and really claim, it's a great way of just sort of acknowledging that it's all in the umbrella and that it's all valid; it's just like a way of acknowledging the validity of all the things, which I think is great.

ERIC MARCUS: This word has tortured me.