BUFFON: I was like, am I supposed to punch her?
MPUTUBWELE: Nelly knows this is the word for ghostwriter.
BUFFON: Everybody knows that word in France.
MPUTUBWELE: But it's one thing to know that word, and it's another to hear it said to you.
Tranquillusionist: Home and Garden transcript
This is the Tranquillusionist: Home and Garden Edition, in which I, Helen Zaltzman, read the names of original programmes on HGTV, and the copy from lawnmower ads from before I was born.
Allusionist redux rerun: The Away Team
EMMA BRIANT: Recognizing someone's humanity is crucial. Calling someone a migrant, calling someone an asylum seeker, calling them a refugee. These are official categories; but in many ways, depending on how they use them, they can change and become more negative. And they also preference how officials are sorting them over their very basic humanity.
Read moreAllusionist 120 Shine Theory transcript
AMINATOU SOW: Hi. We are Ann Friedman and Aminatou Sow, and we are the authors of the book Big Friendship, as well as the hosts of the podcast Call Your Girlfriend.
HZ: And at some point between 2009, when they met and befriended each other, and 2013, when Ann used it in an article in New York Magazine, Aminatou and Ann coined the term Shine Theory.
ANN FRIEDMAN: I think this is just something that, you know, you probably said to me first, “I don't shine if you don't shine.” And then it became a thing we said frequently to each other and to other friends.
AMINATOU SOW: I will confess that it is the lyric from the Killers album that I just enjoyed a lot.
Read moreAllusionist 119. Blood Is Not Water transcript
ANTHONY RUSSELL: I want to have a vocabulary in order to be able to talk about things that directly affect me as an as an African-American, and as a black Jew, and as a Jew, I should have I should be able to talk about things that affect my life.
Read moreAllusionist 118 Survival: Bequest transcript
ELIZABETH KEREKERE: I'm so convinced that transphobia, biphobia, homophobia are such an integral part of colonisation, I reject that as a colonial construct, I reject it as racist.
As they took our land - tried to take all of our land, tried to take all of our language and suppress our culture, they also took our expressions of sexuality and gender. And that is important to us in a core part of our culture, especially because the way that the institutional racism, the intergenerational trauma that is the legacy of colonisation has impacted on us and the levels of discrimination against people with diverse genders, sexualities and sex characteristics, that we see that all of this, all of this was a massive attempt to cover up what was already there and pretend it never happened.
Allusionist 117 Many Ways At Once transcript
HARRY JOSEPHINE GILES: Our behaviour and our desires will always exceed any terminology that anyone can come up with. And so rather than trying to find the right terms - and this for me is like what working in, what trying to come up with an LGBT Scots glossary does: it's a chance to imagine. It's a chance not to come up with the right way of saying things, but to say: what if we thought about it this way? What if we thought about it that way? What assumptions are built into the languages that we use?
Read moreAllusionist 116: My Dad Excavated a Porno transcript
HZ: The Victorians really did a number on people. I feel like we're still unpicking Victorian attitudes.
KATE LISTER: Yes, we are. I mean, we're still very much the children of the Victorians, and they're a fascinating bunch, the Victorians. No generation, at no point in history, has sex been successfully repressed, ever. It just doesn't happen. But what you have is really strict social morality, conditioning and mores and constructs and power dynamics around sex that dictate what we are and what we're not supposed to be doing. And outward facing, they were so repressed and polite society and so offended by everything even remotely to do with sex, to the point of where they wouldn't say the word 'trousers' because they thought they were too rude. They were 'sit down upons'.
Read moreAllusionist 115. Keep Calm and transcript
HZ: Does being told to keep calm work?
JANE GREGORY: I can think of so many ways why it doesn't work.
Tranquillusionist: Punchlines transcript
This is the Tranquillusionist, in which I, Helen Zaltzman, in the interests of temporarily trying to stop that feeling where you think your brain is trying to claw its way out of your skull, read the punchlines to classic jokes. No setups; just the punchlines.
Read moreTranquillusionist: Best In Show transcript
This is the Tranquillusionist, in which I, Helen Zaltzman, for the purposes of calming a frazzled brain, read the winners of the Best in Show at the Westminster Dog Show.
Read moreTranquillusionist: Nmgiiea transcript
This is the Tranquillusionist, in which I, Helen Zaltzman, for the purposes of quelling anxiety and stress and sleeplessness, read the lyrics to ‘Imagine’ by John Lennon, with the words arranged in reverse alphabetical order.
Read moreTranquillusionist: Your Soothing Words transcript
This is the Allusionist, in which I, Helen Zaltzman, read out the words that you've told me you find the most soothing.
Read moreAllusionist 114. Alarm Bells transcript
ROBIN WEBSTER: I am as guilty as any, having worked as a sort of techie professional in this for a long time of writing those sentences that go "By 2050, the trajectory of the curve will be movement this and carbon capture and storage," these paragraphs that just mean nothing to nobody. And they are about things which are far away in time, far away in place. We were using these words like ‘sustainability’ and ‘trajectory’ and ‘parts per million’. And I was like, what on earth is this language? It doesn't say anything.
HZ: ‘Parts per million’: that's the stuff to get people up and ready for action.
ROBIN WEBSTER: 450 parts per million, let's go!
Allusionist 113. Zaltzology transcript
ALIE WARD: Carrie Studard wants to know: “Are there any synonyms for the most hated word, ‘moist’?”
HZ: Moist. Do you hate the word ‘moist’?
ALIE WARD: At this point, it's an underdog. You know what I mean? Like, can moist live? Can it just do its business? I don't hate it.
HZ: It's fine.
ALIE WARD: I don't hate it. I tend to think of dew or grass more than I think of...
HZ: Well, that's a lovely form of moisture. I suppose the people who hate it are maybe thinking of bodily crevices. And that's their prejudice showing.
ALIE WARD: Yes, it is.
HZ: Yeah. Because other words like ‘damp’ - I mean, if you're moist from the rain, like a raincoat. Damp. Is that better? Is that worse? A bodily crevice could also be damp.
ALIE WARD: Sure. I feel like moist has a certain heat to it that damp lacks.
HZ: A steaminess rather than chilliness. It's good that we're figuring these things out.
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