GWEE LI SUI: We have not yet known what it's capable of. Singlish is one of those things the potential of which we're yet to tap in properly. There can be so many things you can do with it.
Read moreAllusionist 201. Singlish transcript
BIBEK GURUNG: You grow up with the sense that if your first language, or one of your first languages, Singlish, actually a bad version of an already existing language, you kind of get this sense that “I'm just bad at language,” which is… language is a fundamental human skill. It's what separates us from the lemurs or whatever. And to just have this sense that you're bad at this very fundamental skill, I think, really does a number to your self esteem and your abilities to communicate in general. I still have a lot of - I don't know how to phrase it, maybe like cultural cringe - around Singlish. And when I meet someone from Singapore, we do sort of lapse into Singlish and communicate in that way, except if I'm with American friends and then I just feel so self conscious and I'm not able to do it. As a student of linguistics and someone who just knows about the sociolinguistic dynamics, I still find it really hard to shake.
Read moreTranquillusionist: Ex-Constellations transcript
Let’s hear it for some of the constellations that we used to have but are now ex-constellations.
Read moreAllusionist 200. 200th episode celebratory quiz! transcript
Here it is, the 200th episode of the Allusionist! To celebrate, here is a playalong quiz where the questions have been set by you, the smart listeners, and if you want to play as you listen, you can keep track of your scores via the score sheet at theallusionist.org/200, if you don’t have to hand the back of an envelope and a pencil you stole from IKEA.
Read moreAllusionist 199. 199 ideas that I hadn't made into podcasts yet - transcript
This is the 199th episode of the show, and since before this show began, so for nearly a decade, I have been jotting down ideas in two documents - one for short ideas, one for long ideas. There are always more ideas than I have time and ability to make podcasts about, so now the documents are altogether 66 pages long and growing every day. So in this episode, you’re going to hear 199 ideas that I wanted to put into the podcast and haven’t yet.
Read moreAllusionist 198. Queer Arab Glossary
HZ: So how do you go about building a glossary when you have to do that yourself from scratch?
MARWAN KAABOUR: Yes, it's a good question. Like, why would a graphic designer with a steady job decide to open this can of worms?
Allusionist 197. Word Play part 7: Word Sport
Unleash the bees!
Read moreAllusionist 196. Word Play part 6: Beeing
DEV SHAH: Spelling is about roots, language. I genuinely loved getting a word I didn't know and having all this information - it was like a detective case: you have the language of origin, the definition, alternate pronunciations, roots; it's like witnesses and having details to a crime scene, forensics. And, you know, it was just me piecing out together, doing what I love, in front of millions of people, shining on a stage, cameras, and still getting a lot from it.
HZ: And you got to do all that detective work in ninety seconds.
DEV SHAH: Exactly.
Allusionist 195. Word play part 5: 100 Pages of Solvitude transcript
HZ: What would make you happier: if nobody solves it or if lots of people solve it?
JOHN FINNEMORE: Oh, lots of people, without question. I hope it's not trivial, but any puzzle has failed if nobody solves it.
Read moreAllusionist 194 Word Play part 4: Good Grids
ERIK AGARD: What I see a lot in crosswords is, I think, not unique to crosswords where historically they've been for a very specific cross-section of an audience. They're written with certain people in mind, and certain other people not in mind. And I think we're starting to see the tip of the iceberg of some changes that expands the range of who they're for.
Read moreAllusionist 193 Word Play part 3: Lemon Demon transcript
AJ JACOBS: Anagrams played a part in a trial, sort of a witch trial in the 1600s in the UK. And it was a woman who was put on trial for claiming that she was a prophet. Part of her proof was that if you rearrange the letters in her name - her name was Eleanor Davies - if you rearrange it, then it says, ‘Reveal, O Daniel’, as in the prophet Daniel. I don't believe that that was proof she was a prophet. They came down on her hard in the trial, so they said, “If you rearrange” - her married name was Dame Eleanor Davies - “and you rearrange those letters, it spells ‘Never So Mad A Lady;.” So like, “she's so crazy.” So that was how she was convicted. And by the way, that was when anagrams were easier, because there were so many spellings.
Read moreAllusionist 192 Word Play part 2 transcript
HZ: People assume to my face that a podcast about language won't be fun, and they're like, “Why would you do something that sounds so boring and dry and like a punishment?” What kind of reactions do you get when people learn that you make games about language?
KATHRYN HYMES: It's so interesting - for some people there's a similar reaction, but for a set of people, it's like you have given them the thing that they have most wanted in the world and maybe didn't realise or articulate or hope that such a thing could be made. And it's somewhat shocking that there's enough of those people and that the internet is able to connect it, you know, connect us to them that we end up finding each other.
Allusionist 191 Hypochondria - transcript
CAROLINE CRAMPTON: A lot of the theoretical material that I'd read about hypochondria very much positioned it in this binary situation that either someone has, quote, real illness, i.e. illness that you can detect with a scan or a blood test or some other diagnostic tool, or "It's all in their head and it's made up," and those are the only two ways it can be. But, just personally, I feel like I'm pretty much constantly experiencing some combination of the two. And I think the idea that there is unwarranted fear: I don't think there is any such thing as unwarranted fear, to be honest.
Read moreAllusionist 190 Craters - transcript
ANNIE LENNOX: It really all came to light when I got the opportunity to name my first feature on Mercury - which was, side note, one of the most exciting things. To find something that is scientifically significant and then to get the chance to name it on another planet: super cool.
Read moreTranquillusionist: Person In Scene transcript
This is the Tranquillusionist, in which I, Helen Zaltzman, soothe your brain by saying a load of words that don’t really mean very much, to give you an emotional break by temporarily supplanting your interior monologue with something you can benignly ignore. This isn’t like the usual episodes of the Allusionist, there’ll be no learning, no journey, you don’t have to feel or think anything. And you’ll find previous editions of the Tranquillusionist at theallusionist.org/tranquillusionist, featuring champion dogs, gay animals, punchlines with no setups and more.
Today’s theme was requested by Lachlan, so long ago that Lachlan will have perhaps forgotten, but at some point in the past they wanted a Tranquillusionist featuring the characters from films that don't have names - so in the credits they’re listed as "man in shop", "lady with pram", "angry customer 2".
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