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The Allusionist

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A PODCAST ABOUT LANGUAGE
BY HELEN ZALTZMAN

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The Allusionist

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Allusionist 221. Scribe transcript

November 24, 2025 The Allusionist

TIM BROOKES: I've interviewed dozens of people whose experience of being taught to write was, at best, tedious and perplexing, and at worst brutal.

So literally about six weeks ago, maybe, I asked myself the question: when did I first enjoy the act of writing? And I don't mean enjoy writing as in enjoy writing a piece of journalism or enjoy writing a short story - I mean the actual physical act of writing. And in my case, the answer is July.

HZ: July 2025?

TIM BROOKES: Exactly.

HZ: Gosh. So you were already deep into writing this very book, several books into your writing career.

TIM BROOKES: That's right. And in fact, when I then went and asked people that question, many of them just stared at me because it had never occurred to them that it was something you enjoy.

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In transcript Tags society, culture, words, language, books, arts, handwriting, writing, pens, quills, brushes, calligraphy, script, Tim Brookes, alphabets, writing systems, endangered alphabets, printing, letters, lettering, cursive, shame, Ewan Clayton, Marion Richardson, education, teaching, school, childhood, Chinese, Japanese, physical, embodiment, movement, motion, gesture, ligatures, communication, technology, graffiti, glyphs, graphemes, legibility, oppression, Survival, colonisation, revitalisation, enfleurage

Allusionist 193 Word Play part 3: Lemon Demon transcript

April 23, 2024 The Allusionist

AJ JACOBS: Anagrams played a part in a trial, sort of a witch trial in the 1600s in the UK. And it was a woman who was put on trial for claiming that she was a prophet. Part of her proof was that if you rearrange the letters in her name - her name was Eleanor Davies - if you rearrange it, then it says, ‘Reveal, O Daniel’, as in the prophet Daniel. I don't believe that that was proof she was a prophet. They came down on her hard in the trial, so they said, “If you rearrange” - her married name was Dame Eleanor Davies - “and you rearrange those letters, it spells ‘Never So Mad A Lady;.” So like, “she's so crazy.” So that was how she was convicted. And by the way, that was when anagrams were easier, because there were so many spellings.

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In transcript, Word Play Tags history, word play, word games, puzzles, puzzling, AJ Jacobs, Bible, Constitution, USA, America, American history, US constitution, anagrams, legal, law, Alexander the Great, war, games, rebus, Louis XIII, France, French history, witch trials, prophet, English history, eye rhymes, ough, patterns, confirmation bias, pens, handwriting, quills, writing, letters, guns, second amendment, arms, insults, punishment, legs, apophenia, virtue, timocracy, satyr, ghoti, Bernard Shaw, pillory

Allusionist 166 Fiona part 2 transcript

December 5, 2022 The Allusionist

HARRY JOSIE GILES: I don't think that anyone should come away from this conversation not wanting to use the name Fiona. I think this is a beautiful and rich history. It might not be quite the history that you imagined, but I think it's a beautiful history.

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In transcript Tags words, language, linguistics, education, society & culture, arts, literature, lexicon, vocabulary, etymology, history, Harry Josie Giles, Moll Heaton-Callaway, Fiona, Fiona Macleod, William Sharp, Elizabeth Sharp, Wilfion, Willfion, Scotland, Scottish, Gaelic, Celtic Revival, Celtic, Celticism, Highlands, Lowlands, Flora, Ffion, Fionnuala, Finn, white, poetry, novels, letters, correspondence, handwriting, LGBTQIA+, pseudonyms, alter egos, trans, gender, gender fluidity, authors, publishing, writers, writing, colonisation, colonial, cultural appropriation, authenticity, James Macpherson, Tales of Ossian, translation, myths, Irish, names, boats, Sharon Krossa, Caledonian Antisyzygy, Wikipedia, hyperbaton

Allusionist 165 Fiona part 1 transcript

November 22, 2022 The Allusionist

HARRY JOSIE GILES: Fiona is a name I think now that still has a slightly romantic, slightly historical Scottish feel. I think everyone thinks it's an old Scottish name, but it's not an old Scottish name!

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In transcript Tags arts, literature, lexicon, vocabulary, etymology, history, Harry Josie Giles, Moll Heaton-Callaway, Fiona Macleod, William Sharp, Elizabeth Sharp, Wilfion, Scotland, Scottish, Gaelic, Celtic Revival, Celtic, Highlands, Lowlands, WB Yeats, poetry, novels, letters, correspondence, handwriting, LGBTQIA+, pseudonyms, alter egos, trans, gender, gender fluidity, Elena Ferrante, authors, publishing, writers, writing, cultural appropriation, names, naming, census, records, boats, celsitude

Allusionist 106. Typo Demon - transcript

September 15, 2019 The Allusionist
A106 Typo Demon logo.jpg

IAN CHILLAG: Titivillus is the typo demon. I've certainly felt the effects of the demon Titivillus in my life. I've made typos. I had not, until I learned of Titivillus, known that I could blame those typos on a higher power or - is a demon or a lower power?

HZ: I think they originated when an archangel fell from heaven - Lucifer - ao I'd imagine if you're taking the conventional geography of heaven being high, then the demons would be low - but then a typing demon would probably be on the Earth's surface for maximum efficacy. 

IAN CHILLAG: Well, Titivillus did - does, maybe - walk the Earth, and what he does is make scribes make errors. So a medieval scribe is doing their work, writing down what they have to in their text, probably a religious text; and Titivillus shows up and does whatever he does and suddenly there are typos in those texts. 

HZ: And rather than ascribing that to medieval scribes having very tired hands due to the equipment that they use being exhausting to propel, and they were working in not the brightest light conditions, they were like, "No, it's demons."

IAN CHILLAG: Nope, it was Titivillus the typo demon. 

HZ: We're talking about a demon that arrived on the scene of demonism in the 13th century. 

IAN CHILLAG: Correct. 

HZ: So when we say typos, we really mean handos. 

IAN CHILLAG: Yeah yeah. The hando demon.

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In transcript, Radiotopia Tags words, language, linguistics, education, comedy, entertainment, society & culture, arts, literature, Helen Zaltzman, etymology, lexicon, vocabulary, Chillusionist, Everything Is Allusionist, Ian Chillag, Everything Is Alive, typos, handwriting, writing, scribes, scribal error, Titivillus, demons, devil, Lucifer, heaven, hell, errors, typing, handos, The Exorcist, Satan, divine, retribution, Wicked Bible, Bible, Bible translations, errors in the Bible, mistakes, gossip, spelling, buzzkills, killjoys, Ten Commandments, God, medieval, Middle Ages, Old Testament, error hell, folders, demonic possessions, autocorrect, punishment, swear jar, jokes, bad jokes, puns, portmanteaus, gentlest circle of hell, trivia, prayer, scribal, church, demonic possession

Allusionist 24: Spill Your Guts - transcript

November 4, 2015 The Allusionist

NK: I definitely wish I would’ve kept a journal in my elementary, junior high and high school years. You know, when you have so many years removed from certain periods of your life, you don’t really remember what it was really like. Your brain eliminates so many memories, you’re only left with specific moments. What a diary gives you is these moments of minutiae, which you managed to write down. The minutiae open up a part of your memory that is more deeply locked away, and allows you to connect to who you were as a kid which your normal memory can’t do.

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In transcript Tags words, language, diaries, diary, journals, Mortified, Dave Nadelberg, Neil Katcher, Roman Mars, Samuel Pepys, Anne Frank, journaling, writing, handwriting
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Allusionist 21: Eponyms I: The Ballad of Bic and Biro

October 14, 2015 The Allusionist

JW: László Bíró would hear people say the ballpoint was ruining writing skills, and he’d smile and say, “Well, if writing comes from the heart, if we can help the hand to perform the hand to perform the task, what’s so wrong with that?” And I think there’s nothing wrong with that. Well done László Bíró.
HZ: I think it’s also interesting that Bíró and Bic's names are on products that are hugely successful, but rarely the centre of attention - and also disposable.
JW: Yeah. And also they are kind of disposable, in that you can know what a Bic or a Biro is, but you don’t need to know who Marcel is or who László is. They’ve made this disposable contribution to history, and in the same way made themselves disposable.

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In transcript Tags language, linguistics, etymology, handwriting, pens, pencils, James Ward, Roman Mars, eponyms, stationery
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The Allusionist by Helen Zaltzman is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.