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Allusionist 201. Singlish transcript

October 10, 2024 The Allusionist

BIBEK GURUNG: You grow up with the sense that if your first language, or one of your first languages, Singlish, actually a bad version of an already existing language, you kind of get this sense that “I'm just bad at language,” which is… language is a fundamental human skill. It's what separates us from the lemurs or whatever. And to just have this sense that you're bad at this very fundamental skill, I think, really does a number to your self esteem and your abilities to communicate in general. I still have a lot of - I don't know how to phrase it, maybe like cultural cringe - around Singlish. And when I meet someone from Singapore, we do sort of lapse into Singlish and communicate in that way, except if I'm with American friends and then I just feel so self conscious and I'm not able to do it. As a student of linguistics and someone who just knows about the sociolinguistic dynamics, I still find it really hard to shake. 

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In transcript Tags English: problematic fave, history, society, culture, words, language, vocabulary, Bibek Gurung, Singapore, Singlish, Singaporean Colloquial English, Singaporean Standard English, Englishes, education, Speak Good English Movement, government, sociolinguistics, multilingual, multilingualism, policy, oppression, swearing, swears, punishment, school, portmanteaus, portmanteaux, mother tongue, Manglish, Malaysia, Straits, Tamil, Malay, Mandarin, China, Chinese, Asia, Asian, southeast Asia, dialects, creole languages, opsimath, problematic fave, code switching
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The Allusionist by Helen Zaltzman is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.