There's an abiding myth that the landmark dictionaries are the work of one man, in a dusty paper-filled garrett tirelessly working away singlehandedly. But really it took a village: behind every Big Daddy of Lexicography was usually a team of women, keeping the garrett clean, organising the piles of papers, reading through all the citations, doing research, writing definitions, editing, subediting...essentially being lexicographers, without the credit or the pay.
Academic Lindsay Rose Russell, author of Women and Dictionary-Making, talks about the roles of women in lexicography: enabling male lexicographers to get the job done, but also making their own dictionaries, and challenging the very paradigms of dictionaries.
Allusionist 167. Bonus 2022
What do the hippocampus, homophones, Little Women, worrying and egg hacks have in common? They all star in the 2022 parade of Allusionist bonus bits! This year's guests provide some extra fascinating facts, thoughts and feelings: in order of reappearance, Jing Tsu, Morénike Giwa Onaiwu, Tim Clare, Stephanie Foo, Lewis Raven Wallace, Charlotte Lydia Riley, Hannah McGregor, Kristen Meinzer and Jolenta Greenberg.
Read moreAllusionist 162. Self-Help
Self-help is a multibillion dollar genre of books, and Kristen Meinzer and Jolenta Greenberg of By the Book podcast have lived by the advice of more than eighty of them. They discuss the ways these books use language to get into your brain, the negging and the euphemisms, what can actually be helpful, and why we should be more like dog.
Read moreAllusionist 161. Sentiment
Empathy and kindness can be noble concepts in themselves, but as terms are thrown around enough to have become buzzwords, and in the process lose some of their meaning and purpose. Audiomakers Sandhya Dirks and Julia Furlan, and academic and podcaster Hannah McGregor, discuss the value and pitfalls of appealing to the emotions.
Read moreAllusionist 134. Lacuna
If you were in Brazil during the military dictatorship of 1964-1985, tried to bake a cake from a recipe in the newspaper, and were served with a sorry mess that tasted disgustingly salty, it wasn't your fault. What you thought was a recipe was actually a message from the newspaper that they were being censored.
Designer and researcher Crystian Cruz opens up the TOP SECRET files, to share the fake weather reports, single nipples vs a pair, soap opera characters getting bumped off, and the problems with kung fu.
Read moreAllusionist 104. Words into Food
It’s Food Season at the Allusionist. Last episode we learned all about compiling recipes, turning food into words. This time, we meet someone who turns words into food. When Kate Young of the Little Library Cafe spots a foodstuff or a feast in a novel, she finds ways to cook it in reality, whether it’s delicious (Babette’s Feast), evil (Edmund’s Turkish delight in The Lion, The Witch and the Wardrobe) or poisonous (the crab and avocado in The Bell Jar).
Read moreAllusionist 103. Food into Words
When recipe writing is done well, the skill and effort involved might not be evident. But explaining the different steps clearly so that people of varying culinary abilities and equipment can cook it, and indeed want to make it, and translating flavour and physical actions and sensory experiences into words - all that takes work.
Recipe writers MiMi Aye and Felicity Cloake and cookbook editor Rachel Greenhaus consider the verbal ingredients of a well-written recipe.
Read moreAllusionist 98. Alter Ego
Today: three pieces about alter egos, when your name - the words by which the world knows you - is replaced by another for particular purposes.
How did John Doe come to be the name for a man, alive or dead, identity unknown or concealed in a legal matter? Strap in for a whirlwind ride into some frankly batshit centuries-old English law.
At their first bout of the 2019 season, the London Roller Girls talk about how they chose their roller derby names - or why they chose to get rid of one.
The 1930s and 40s were a golden age for detective fiction, which was also very popular and lucrative. Yet writing it was disreputable enough for authors to hide behind pseudonyms.
Allusionist 95. Verisimilitude
When you’re watching a fantasy or science fiction show, and the characters are speaking a language that does not exist in this world but sounds like it could - that doesn’t happen by accident, or improvisation. A lot - a LOT! - of work goes into inventing new languages that sound real. Conlanger David Peterson talks about how he created languages for HBO’s Game of Thrones.
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