Many mysteries accompany the revelations that Powers of Darkness, the Icelandic and Swedish versions of Dracula, are not direct translations of Bram Stoker's original, but stories that significantly differ in character names, plot and runtime. Like: did Bram Stoker write it himself, to publish some raunchy content that British censors would forbid? Was Powers of Darkness based on his early drafts? And did he really not copyright Dracula in the USA was that a deliberate ruse? Welllll... brace yourself for ole thrill-destroyer Zaltzman to pop your balloons of excitement.
Read moreAllusionist 123. Celebrity
Celebrity used to mean a solemn occasion; X factor was algebraic; and fame was a huge terrifying Godzilla-like beast with many many tongues.
Here to try define celebrity and fame are historian Greg Jenner of the podcast You’re Dead To Me, Lindsey Weber and Bobby Finger of Who? Weekly podcast, and writer, podcaster and videomaker Hank Green.
Read moreAllusionist 84. Trammels
Why would you write books or poems or plays with only one vowel? Or in palindromes? Or only using the example sentences in dictionaries? Sometimes you need to force yourself to jump a few hurdles (and perhaps the rest of the obstacle course) before your creativity will be unleashed.
Read moreAllusionist 19: Architecting About Dance
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“Talking about music is like dancing about architecture” is a problematic statement: not just because nobody can agree on who came up with it, but because dancing about architecture doesn’t seem particularly far-fetched. Talking about dance, however - that's really difficult. How do you put a wordless form of communication into words?
Audio describer Alice Sanders and choreographer Steven Hoggett take the issue for a twirl.
READING ABOUT DANCE IS LIKE READING ABOUT ARCHITECTURE:
If you want to find out more about "[doing a thing] about [a thing] is like [doing a different thing] about [another thing]" adages, take a look here and here.
Further werewolf reading-matter: find out about Old English wolf-words; read this plea for feminist werewolves/wifwolves; and this, apparently, is The Problem with Female Werewolves (too hairy for this bikini-waxed world?).
You want to learn Labanotation? Don't let me stop you.
You want to learn about the Step Up series of films? Don't let me stop you.
Steven Hoggett talks more about how he goes about his work, here and here.
Here is the transcript of this episode.
RANDOMLY SELECTED WORD FROM THE DICTIONARY:
poetaster
CREDITS:
Alice Sanders writes very funny articles and blogs. Find her at twitter.com/wernerspenguin.
Steven Hoggett is working on exciting forthcoming projects including the stage adaptation of Disney's Pinocchio, AND the Harry Potter play. You'll have to wait a little while for those; but his Burt Bacharach show, Close To You, is about to open at London's Criterion Theatre. The Curious Incident of the Dog In The Night-Time is on in the UK and on Broadway, and Once seems to be all over the place.
The non-speech noises in this episode were:
Allusionist Theme by Martin Austwick
The Nutcracker, Swan Lake and Sleeping Beauty by Tchaikovsky
A snippet of the film version of A Chorus Line
Cinderella by Prokofiev
This episode was produced by me, Helen Zaltzman. Thanks to Eleanor McDowall and Miranda Sawyer.
Dance along to facebook.com/allusionistshow, twitter.com/allusionistshow and twitter.com/helenzaltzman.
