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We use verbal numbers and we use numerals - why do we need both? Why do we have the ones we have? What happened to Roman numerals? And what's loserish about the fiftieth Super Bowl?
Stephen Chrisomalis, professor of anthropology and linguistics and author of the book Reckonings: Numerals, Cognition and History, returns to the Allusionist to explain our current numbers, and why we shouldn't get too arrogant about them.
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This is the Tranquillusionist, in which I, Helen Zaltzman, read all the salads from the 1950 recipe book 282 Ways of Making a Salad, with Favourite Recipes by British and American Personalities and Stars by Bebe Daniels and Jill Algood, with the purpose of giving your internal monologue a break by replacing it with some absolutely inconsequential words.
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They're not ladies and they're not birds; they're not even technically bugs! But that's not the most surprising thing about ladybirds/ladybugs and their brilliant variety of names.
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Crazy, insane, nuts, mad, bonkers, psycho, schizo, OCD - casual vocabulary is strewn with mental health terms, but perhaps shouldn't be? Psychotherapist and podcaster Lily Sloane talks about what we're really saying when we use such words.
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Exclamation; sign of agreement OR disapproval; gendered, but circumstantially gender-neutral; term of endearment: 'dude' can do it all! But its connotations of a laid-back, cool, masculine person are only a few decades old; before that, it meant...an uptight city-dwelling tourist?? Dude, seriously!
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“It's hard to address something if you can't actually name what it is,” says Moya Bailey, who coined a term that enables people to discuss a specific combination of racism and sexism: misogynoir.
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SOS is a really versatile distress call. You can shout it; you can tap it out in Morse code; you can honk it on a horn; you can signal it with flashes of light; you can spell it out on the beach with debris from your wrecked ship.
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It's August 2007. Lauren Marks is a 27-year-old actor and a PhD student, spending the month directing a play at the Edinburgh Fringe Festival. She's in a bar, standing onstage, performing a karaoke duet of 'Total Eclipse of the Heart'... and then a blood vessel in her brain bursts. When she wakes up in hospital, days later, she has no internal monologue, and a vocabulary of only forty words.
This is a rerun of an all time fave Allusionist, but with a few extra little bits added. Content note: this episode is about a medical crisis (everyone survives, though!), and has some Category A swears in it.
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If you were in Brazil during the military dictatorship of 1964-1985, tried to bake a cake from a recipe in the newspaper, and were served with a sorry mess that tasted disgustingly salty, it wasn't your fault. What you thought was a recipe was actually a message from the newspaper that they were being censored.
Designer and researcher Crystian Cruz opens up the TOP SECRET files, to share the fake weather reports, single nipples vs a pair, soap opera characters getting bumped off, and the problems with kung fu.
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What to do to stick it to the powers that be? Send your message through something they really care about: cake.
In Buenos Aires, local tour guides Madi Lang and Juan Palacios introduce me to priest's balls and little cannons, the pastries laced with the sweet taste of 1880s trade union protests.
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