IRIS ICHISHITA: There's so many different ways to try and understand this text. And there are so many different pieces of evidence that point us in these different directions. Is it fan fiction? Is it pirated fiction? Is it pastiche? Is it creative licence, creative liberty? Is it an alternate version? Could it have been Bram Stoker's original version, his director's cut? What are these texts in relationship to each other?
HZ: Well, they are first cousins, I'd say?
IRIS ICHISHITA: Yeah, yeah. If not shadowy twins.
HZ: Maybe it's more like identity theft.
Allusionist 111. Engraving part 2: Precious transcript
MAX ULLMANN: I like how this is typical of all antique jewellery, in a way, it's just completely symmetrical and totally imperfect. In a world of perceived perfection, this is far more interesting. You know, you can really see that somebody is done that by hand. You know, the A is lower than the Z and the E, the horizontal arms of the E, are too short by modern standards. It’s certainly not perfect. There's bits and pieces of the letters missing, but you can really put yourself in the position of the person doing it, who obviously was not able to achieve this kind of perceived perfection because they're human.
Read moreAllusionist 69. How the Dickens stole Christmas - transcript
GREG JENNER: ‘Dickensian’ is quite a tricky word, actually. I think we don’t always necessarily know what we mean when we say it. As a word it conjures up poverty, perhaps; a sense of squalor; a sense of people trapped in this brutal society where there is no safety net, no fall-back plan; where children and women can suddenly be cast into a life of poverty or crime or violence. But 'Dickensian' also should summon up some of the beautiful things as well, some of the wonderful things he harnesses. When we look at A Christmas Carol, the way he depicts the street scenes, singing to each other, the sense of community, the shop windows filled to the brim with delicious goods and treats to eat on Christmas day and toys, this is also a bountiful visual iconography. Dickens conjured up both quite alarming and also quite enrapturing, entrancing visions of what a city and a community could be. So 'Dickensian' tends to be quite negative, but it should apply to all the different worlds that Dickens created, and some of those were rather pleasant and lovely, and some of those were rather cruel and dark.
KATIE MINGLE: What's the deal with Christmas?
AVERY TRUFELMAN: Dickens?
KATIE MINGLE: Yeah.
HZ: Yeah! A lot of authors have written about Christmas, but don’t have festive fairs devoted to them. Why is Dickens the one who gets to be the adjective? Why is he given credit for Christmas?
GREG JENNER: Charles Dickens's Christmases are not brand new in 1843. You know one of the things people often say is Dickens invented Christmas, which is absolute nonsense, of course he didn't.
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