Allusionist 18: Fix part II

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The messiness of English is the price of its success. It is the most widely spoken language in the world, geographically, being an official language in 88 different countries, and there are countless different versions of it all over the world. With so many speakers in so many places, it would be impossible to establish a single 'correct' form of English; and, as became evident in Fix part I, to try to do so is a losing game.

In Europe, a new strain of English is emerging. It's not spoken very widely, but it is used by some of the most powerful people in the world. Hampton and Michael Catlin, founders of the collaborative online dictionary Wordset, lead us into this linguistic netherworld.

Beware: excessive suffixes.

READING MATTER:

• Who WOULDN'T want to read the European Court of Auditors' 66-page 2013 report Misused Words and Expressions in EU Publications? Curl up on the sofa and prepare to discover bold new uses for 'homogenise', 'mission' and 'jury'.

• The history of musical notation, do re mi - née ut re mi - is interesting; read more about it here.

• If you're infuriated by someone who muddles up words like 'gamut' and 'gamete', you could direct them to diffen.com or the-difference-between.com.

• The transcript of today's show is here.

• The Guardian interviewed me about the Allusionist and Answer Me This; take a look here (if just for the accompanying photo).

RANDOMLY SELECTED WORD FROM THE DICTIONARY:
gleet

CREDITS:

• Hampton and Michael Catlin founded Wordset, the online collaborative dictionary that aims to collect every different form of English. You can help out at wordset.org. You can also hear the Catlins on their podcast, We Have A Microphone.

• This episode was produced by me, Helen Zaltzman. Thanks to Matthew Crosby for his vocal contributions. The music is by Martin Austwick. Hear and/or download more - WITH LYRICS! - at thesoundoftheladies.bandcamp.com.

• Say hello to me at facebook.com/allusionistshow, twitter.com/allusionistshow and twitter.com/helenzaltzman.

The next episode will appear in a fortnight. Thank you for your actorness in listening.

- HZ

Allusionist 17: Fix part I

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The English language is a mess. And if you don't like it, what are you going to do about it - fix it? Good luck with that.

In the early 18th century, a movement of grammarians and authors wanted to set up an official authority to regulate English, like French had in the Academie Francaise. But is trying to fix a language a good move? Linguists Liv Walsh and Thomas Godard weigh up the evidence.

Apologies in advance, pedants: this episode may contain some truths you* don't want to hear.
*we.

READING MATTER:

• Some of the audio is a bit unclear, so here's a transcript of the show.

• Find out about the Academie Francaise, including what you'll need to do if you want to become one of Les Immortels. (You'll probably have to kill one of the current ones.)

• Here is Jonathan Swift’s language proposal and here is his Modest Proposal.

• This article summarises how most linguistic rules are just busking it; it also links to a 1909 paper about the subject that doesn't mess around.

• Thomas Godard recommends reading Fixing English by Anne Curzan and The Bishop's Grammar by Ingrid Tieken-Boon van Ostade, and listening to PRI's The World in Words.

• The purists among you may wish to seek refuge with the Queen's English Society.

RANDOMLY SELECTED WORD FROM THE DICTIONARY:
toxophilite

CREDITS:

• Thanks very much to Dr Liv Walsh and Thomas Godard, and to Dr Rachele De Felice who helped me find them.

• This episode was produced by me, Helen Zaltzman. All the music is by Martin Austwick. Hear and/or download more - WITH LYRICS! - at thesoundoftheladies.bandcamp.com.

• Say hello to me at facebook.com/allusionistshow, twitter.com/allusionistshow and twitter.com/helenzaltzman.

Come back in a fortnight to see if the current attempts to fix English are faring any better than the 18th century ones.

- HZ