Allusionist 175 Eurovision part 2 transcript

April 22, 2023 The Allusionist

DEAN VULETIC: There are lots of economic, cultural and political factors that can decide which language will be most represented in a country's entries, even when it has various national languages.
HZ: Azerbaijan: the only country never to have entered in its national language.
DEAN VULETIC: Correct.
HZ: Could be this year.
DEAN VULETIC: Errrr, I doubt it, because the Azerbaijani government has been very ambitious in Azerbaijan’s Eurovision entries, in using them as a tool of soft power and cultural diplomacy. It has spent a lot of money in getting well-known songwriters and composers from across Europe to produce pop hits that could really win Eurovision. And of course, this means hits in English. And once Azerbaijan did win Eurovision in 2011 and went on to host the most expensive Eurovision ever in Baku. So Eurovision is also popular among dictators as a tool of cultural diplomacy - or as a tool for whitewashing their human rights and democratic records.

Allusionist 174 Eurovision part 1 transcript

April 7, 2023 The Allusionist

The Eurovision Song Contest has given us the international renown of Celine Dion, Måneskin, Dana International, Conchita Wurst and Riverdance; tear-off skirts, nul points, shiny shiny costumes, a band of babushke dancing around an onstage bread oven; not to mention fraught politics, within and between nations. And most importantly for our purposes: linguistic intrigue! So much linguistic intrigue.

Allusionist 150 The Egg's Warning transcript

March 5, 2022 The Allusionist

KEITH KAHN-HARRIS: So let's explain what a Kinder Surprise egg is in the first place.
HZ: Yeah. It's slightly bigger than a hen's egg.
KEITH KAHN-HARRIS: It's a foil wrapped chocolate egg, and it has an outer chocolate layer.
HZ: I'm peeling off the foil, which is white and orange. And then we have the chocolate egg in two parts. I’m trying to split it without too much incident. And then inside that is a yellow capsule. And then inside the capsule:
KEITH KAHN-HARRIS: It's a self-assembly toy.
HZ: It's a self-assembly toy. Let's not get distracted by that, because that's not even the true prize, is it?
KEITH KAHN-HARRIS: No, exactly. And you'll find at least two pieces of paper. Now, one of them is a sort of a picture showing how to assemble the toy.
HZ: That's right. And then the other one, which I don't know if I've ever even paid attention to before...
KEITH KAHN-HARRIS: It's got the warning message, and it is in a literally dozens of languages on this tiny piece of paper.

Featured

Allusionist 233. Phobia

'Phobia' gets used for anything from a mild aversion to a debilitating anxiety response to various forms of bigotry. Deboki Chakravarti and Sam Jones of the podcast Tiny Matters join to consider the term from its comedic origins with one of the founding fathers of the USA, via rabies and Greek deities, to its role in their lives today.

CONTENT NOTE: we’re not trying to stoke anyone’s phobias, but we do discuss some common phobia-inducers, including snakes, germs and small holes, and there’s a brief mention of tarantulas. There’s also talk about OCD and rabies.

Allusionist 232. Vega

What do you call yourself if you're a part-time vegetarian? What petty linguistic things would you change? And what do you do if people gripe at you if you say that you are bi or pan? To answer these questions from the Allusionist mailbag are esteemed alumsionists: Hrishikesh Hirway and Samin Nosrat of Home Cooking podcast; academic and author Alex Ketchum; lexicographer Kory Stamper; and linguist Lauren Gawne of Lingthusiasm podcast.

Tranquillusionist: cheesy cheesybobs

This is the Tranquillusionist, in which I, Helen Zaltzman, say a series of words to relax your mind, replace a hectic interior monologue, maybe lull you to sleep, hopefully quell the mental uproar just for a little while.

Today: nicknames for woodlice AKA rolypoly bugs AKA slaters AKA all these other things; and a list of cheeses from Great Britain and Ireland.

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Allusionist 231. Lingthusionist

“Linguistics and language is such a good mechanism for being curious,” says Lauren Gawne, linguistics prof, author of the book Gesture, and cohost of the podcast Lingthusiasm. I'm in vacation mode (although not on actual vacation alas), so today's episode is a fun chat with our nice pal about making language podcasts, the firey digestive punishments for linguistics researchers, working in reality television, and cute tame nouns versus scary intimidating verbs.

Allusionist 230. Draculae part 4: Transformation

Throughout the Draculae miniseries, about the Swedish and Icelandic translations of Dracula that played fast and loose with the original text, I've been wondering a couple of questions: why are cover versions of songs and remakes of films so normal and acceptable, whereas cover versions in book form cause such a stir? And do these Scandinavian Draculae count as fan fiction? And if not, why not? Fansplaining.com's Elizabeth Minkel explains what fan fiction can mean.

Allusionist 229. Draculae part 3: Hunting Down the Count

Many mysteries accompany the revelations that Powers of Darkness, the Icelandic and Swedish versions of Dracula, are not direct translations of Bram Stoker's original, but stories that significantly differ in character names, plot and runtime. Like: did Bram Stoker write it himself, to publish some raunchy content that British censors would forbid? Was Powers of Darkness based on his early drafts? And did he really not copyright Dracula in the USA was that a deliberate ruse? Welllll... brace yourself for ole thrill-destroyer Zaltzman to pop your balloons of excitement.

queer playlist

Allusionist 228. Draculae part 2: Surprises in the Vaults

Happy World Dracula Day to all who celebrate!

This is the second episode of the Draculae miniseries, about a literary mystery which came to me via a meme: “Someone translated Dracula into Icelandic, and it took over 100 years for anyone to point out he just made a fanfic rewrite of what he wanted the story to be.”

In Draculae part 2, Ásgeir Jónsson explains how he got that Icelandic adaptation of Dracula back into print, to little fanfare - but then Dutch scholar Hans Corneel de Roos set about making an English translation. Following that: like me, Will Trimble also got meme-struck, and that propelled him to get a translation of the Swedish version that begat the Icelandic one.

Before listening to this, check out the first episode of the Draculae miniseries explaining the three versions of Dracula: Dracula published by Bram Stoker in 1897; the Icelandic version Makt Myrkranna by newspaper editor Valdimar Ásmundsson, serialised in his newspaper Fyallkonan in 1900-1901; and the Swedish version Mörkrets makter by an author known only as A—e, and serialised in a couple of Swedish newspapers 1899-1900.

Allusionist 227. Draculae part 1: Enter the Castle

A literary mystery came to me via a meme.

Allusionist 226. Suburbia

"The word ‘suburbia’ sort of evokes a very fixed idea of a place that is identikit, that all suburbs are the same, that within the suburb everything is the same, that all people are the same, all experiences are the same," says social historian and author John Grindrod. "I think it has this kind of flattening-out facility, that word, that isn't true."

Allusionist 225. Hues

You know what's an absolutely pesky kind of word to define in a dictionary? Colour names. A passel of lexicographers spent years - decades, even - trying different ways to describe colours in words for Webster's Third International Dictionary. It was such a huge, complicated effort that it took twelve years for former Merriam-Webster lexicographer Kory Stamper to write a book about it.