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The Allusionist

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A PODCAST ABOUT LANGUAGE
BY HELEN ZALTZMAN

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The Allusionist

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Allusionist 175 Eurovision part 2 transcript

April 22, 2023 The Allusionist

DEAN VULETIC: There are lots of economic, cultural and political factors that can decide which language will be most represented in a country's entries, even when it has various national languages.
HZ: Azerbaijan: the only country never to have entered in its national language.
DEAN VULETIC: Correct.
HZ: Could be this year.
DEAN VULETIC: Errrr, I doubt it, because the Azerbaijani government has been very ambitious in Azerbaijan’s Eurovision entries, in using them as a tool of soft power and cultural diplomacy. It has spent a lot of money in getting well-known songwriters and composers from across Europe to produce pop hits that could really win Eurovision. And of course, this means hits in English. And once Azerbaijan did win Eurovision in 2011 and went on to host the most expensive Eurovision ever in Baku. So Eurovision is also popular among dictators as a tool of cultural diplomacy - or as a tool for whitewashing their human rights and democratic records.

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In transcript Tags words, language, society & culture, arts, history, Eurovisionallusionist, Dean Vuletic, singing, songs, tv, television, broadcasting, geography, politics, political, Eurovision Song Contest, European, Europe, pop, music, European Broadcasting Union, EBU, European Broadcasting Area, ESC, public broadcasters, controversy, governments, human rights, protests, national languages, dictators, dictatorships, Azerbaijan, English language, Belgium, Kosovo, Serbo-Croation, Serbia, Slovenia, Slovenian, Croatia, Yugoslavia, former Yugoslavia, Albania, Belarus, Balkans, Ukraine, Russia, Switzerland, Sweden, Armenia, Vladimir Putin, rules, technology, Mongolian, Crimea, Crimean Tatars, war, conflict, KGB, Italy, referendum, divorce, urinant

Allusionist 174 Eurovision part 1 transcript

April 7, 2023 The Allusionist

The Eurovision Song Contest has given us the international renown of Celine Dion, Måneskin, Dana International, Conchita Wurst and Riverdance; tear-off skirts, nul points, shiny shiny costumes, a band of babushke dancing around an onstage bread oven; not to mention fraught politics, within and between nations. And most importantly for our purposes: linguistic intrigue! So much linguistic intrigue.

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In transcript Tags etymology, words, language, society & culture, arts, history, Dean Vuletic, singing, songs, tv, television, broadcasting, geography, politics, political, Eurovision Song Contest, European, Europe, pop, music, ABBA, Waterloo, Volare, Italian, French, German, Dutch, Swedish, France, Spain, Spanish, Norway, Sweden, Malta, English, Italy, United Kingdom, UK, Welsh, Wales, Australia, Luxembourg, Belgium, Flemish, Walloon, Israel, Hebrew, Finland, Netherlands, European Broadcasting Union, EBU, European Broadcasting Area, ESC, public broadcasters, latitude, longitude, multilingual, polyglot, bloc voting, francophone, national languages, Breton, controversy, Domenico Modugno, 20th century, 1950s, radio, portmanteau, portmanteaux, Serge Gainsbourg, Marc Chagall, rules, constructed languages, conlang, soccer, technology, ruelle, Eurovisionallusionist

Allusionist 150 The Egg's Warning transcript

March 5, 2022 The Allusionist
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KEITH KAHN-HARRIS: So let's explain what a Kinder Surprise egg is in the first place.
HZ: Yeah. It's slightly bigger than a hen's egg.
KEITH KAHN-HARRIS: It's a foil wrapped chocolate egg, and it has an outer chocolate layer.
HZ: I'm peeling off the foil, which is white and orange. And then we have the chocolate egg in two parts. I’m trying to split it without too much incident. And then inside that is a yellow capsule. And then inside the capsule:
KEITH KAHN-HARRIS: It's a self-assembly toy.
HZ: It's a self-assembly toy. Let's not get distracted by that, because that's not even the true prize, is it?
KEITH KAHN-HARRIS: No, exactly. And you'll find at least two pieces of paper. Now, one of them is a sort of a picture showing how to assemble the toy.
HZ: That's right. And then the other one, which I don't know if I've ever even paid attention to before...
KEITH KAHN-HARRIS: It's got the warning message, and it is in a literally dozens of languages on this tiny piece of paper.

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In transcript Tags words, language, linguistics, society & culture, arts, etymology, lexicon, vocabulary, Helen Zaltzman, Kinder Egg, Kinder Surprise, warnings, messages, toys, confectionary, Ferrero, chocolate, candy, Keith Kahn Harris, multilingual, Europe, European, Kinder Joy, laws, FDA, errors, typesetting, diacritics, tilde, macron, ligatures, æ, warning, exciton
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The Allusionist by Helen Zaltzman is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.