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The Allusionist

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A PODCAST ABOUT LANGUAGE
BY HELEN ZALTZMAN

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The Allusionist

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Allusionist 51: Under the Covers part II

February 22, 2017 The Allusionist

KAITLIN PREST: It's hard to describe feelings with words, with the English language that we have.
HZ: Oh good. It's not just me.
KAITLIN PREST: No! Oh my god! I've dedicated my entire life to trying to do this and I still find it close to impossible. It's hard to take a physical experience that is quite vivid and try to filter it through our brain, which is rational and intellectual, and then come out with a piece of language that can get at even the beginning of what that physical experience is like.

HZ: Stupid useless language!

KAITLIN PREST: I have had to face the question of “how do I translate this experience in writing?” I've done a million pieces about masturbating, like how do you how do you put to words what's going on here in a way that actually translates the experience? The experience of masturbating is really sexy, but even the word 'masturbate' is disgusting. It's my favorite thing to do. Least favorite thing to say.
HZ: So do you have a word that you prefer for it?
KAITLIN PREST: But that's the thing! There's no alternative that feels right to me. No.

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Allusionist 50: Under the Covers part I - transcript

February 8, 2017 The Allusionist

LEAH KOCH: There is a certain amount of defense in being a romance fan; if you're going to be a vocal romance fan, unfortunately, you're going to have to spend some of that time explaining to people why what you like is valid and why their opinion is stupid.
HZ: Do it.
LEAH KOCH: OK! The most basic response is: "Why on Earth do you care what I am reading?" I never say that, but that is the honest question - it's like, why do you care? I like it! But let's get slightly more academic than that. Romance is primarily written by women for women. Let's not diminish the contributions of men, but let's set them aside for a second. It's a female-dominated genre.
BEA KOCH: And historically it's associated with a female readership, which is very important in the critical perception of the genre.
LEAH KOCH: Right. So it's books where women's thoughts, emotions, sexuality, take centre stage; and there's a lot of other stuff that happens around it, you know, that's what subgenres are. So it's surrounded by carriages and dresses or surrounded by vampires and werewolves or surrounded by FBI guys on the run, whatever: that's all secondary. The thing at the heart of it is a woman's experience.

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In transcript Tags love, romance, novels, literature, books, reading, Mills & Boon, The Ripped Bodice
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Allusionist 49: Bonus 2016 - transcript

December 30, 2016 The Allusionist

Why is gaslighting 'gaslighting'? What do bodily fluids have to do with personality traits? Why does 'cataract' mean a waterfall and an eye condition? And do doctors really say 'Stat!' or is that just in ER?

It's the end-of-2016 bonus edition of the Allusionist, containing some of your etymological requests and extra chat from some of this year's guests

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In transcript Tags four humours, four humors, sanguine, blood, bloody, Isaac Siemens, medicine, quack, cataract, waterfall, branding, care, hospital, doctors, bonus episode, bonus, Nancy Friedman, marijuana, Jane Solomon, search, words, dictionary.com, dictionary, dictionaries, gaslighting, gaslight, breaking up, divorce, nuchal, etymology, Nick Allen
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Allusionist 48: Winterval - transcript

December 9, 2016 The Allusionist

The War on Christmas - when did that start? Upon the birth of Jesus Christ himself, when King Herod ordered all the baby boys in and around Bethlehem be killed? In 1644, when Oliver Cromwell’s Puritans passed an ordinance prohibiting Christmas celebrations?

In 1659, when the Massachusetts Bay Colony Puritans managed to get Christmas banned for 22 years for being a pagan festival?

Or, was it in 1998, in Britain’s second largest city, Birmingham? If you picked up practically any newspaper at the time, you would have read that Birmingham city council had renamed Christmas ‘Winterval’.

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Allusionist 47: The Year Without A Summer - transcript

November 22, 2016 The Allusionist

ERIC MOLINSKY: It was a dark and stormy night.

I know that’s the ultimate cliché, but if there ever was a story that began on a dark and stormy night, this was it. It was the middle of June 1816, when Mary Shelley started writing a novel called Frankenstein; or the New Prometheus.

But here’s the funny thing: usually we celebrate the year a work of art came out, which in this case would be 1818 because Mary Shelley spent two years writing Frankenstein. So why are we celebrating the moment of inspiration? Because June 16, 1816 – not just what was happening in Mary Shelley’s room that night, but what was happening around the world - might actually offer us a glimpse into our future.

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Allusionist 46: The State Of It - transcript

November 7, 2016 The Allusionist

Each of the 50 states in the USA has its own motto. The motto might be found on the state seal, or the state flag; more often than not, it might be in Latin; it might be a phrase or a single word.

If you reside in the USA and you’re thinking, yeah, I know my state motto, it’s on all the license plates: ‘Montana: Big Sky Country’, say, in, or ‘Florida: The Sunshine State’ or ‘Famous Potatoes’- get in, Idaho.

Sorry, friends, these are not the state mottos.

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Allusionist 45. Eponyms II - Name That Disease

October 18, 2016 The Allusionist

ROMAN MARS: Would the Heimlich Manoeuvre be something that people knew if it wasn't attached to a name like Heimlich? No, I don’t think so.

HZ: Would it have made the news in May of this year when 96-year-old Dr Henry Heimlich himself saved a woman from choking on a piece of hamburger meat by using the manoeuvre that bears his name?

RM: So I still like eponyms in these ways that they help tell an interesting story. But I totally get why and I'm not so tied to my world view or nostalgia that I cannot accept that it would be better another way.

HZ: Well, good, because there are certainly some aspects to eponyms that I don’t think you’d like, Roman.

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Allusionist 44: This Is Your Brain On Language - transcript

October 3, 2016 The Allusionist

JENNI RODD: So what we're trying to understand is the processes that are going on in your head right now as you try and understand what I'm saying.

HZ: Jenni Rodd is a cognitive psychologist at University College London, and I think she can look right through my skull to see those processes at work.

JR: If I could do that, that would make my job a whole heap easier. Unfortunately we can't look directly into your brain, so we have to come up with cunning and devious experiments that are the next best thing.

HZ: Experiments studying how people respond to language, written or spoken, sometimes while the subject undergoes an fMRI scan - functional magnetic resonance imaging - to show what the brain is up to.

JR: But what we want to understand is for each word that you hear, or possibly read, what it is that you're doing in your head to figure out what that individual word means, and then how you put those together to understand the meaning of sentences, paragraphs, conversations and so on.

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Allusionist 43. The Key part II: Vestiges - transcript

September 21, 2016 The Allusionist

"The fact is that none of the world's writing systems apart from codes are meant to be obscure. And this is crucial. Normal writing systems that we can't read just because we haven't deciphered them doesn't mean that they indecipherable; it means that we haven't done it."

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Allusionist 42: The Key part I - Rosetta

September 10, 2016 The Allusionist

There are many reasons why languages become extinct, but to pick an extreme example: a couple of thousand years hence, after the apocalypse, the only present-day language still being spoken then is, say, Portuguese. But there’s all this written material from the lost cultures that you, the post-apocalyptic survivor, want to decrypt. Technology is totally different by then - except optical magnification, which remains fundamentally similar to how it has been since humans began using it millennia before. In the ancient ruins of Fort Mason, San Francisco, you find a Rosetta Disk, successfully engineered to remain undamaged by fire and water and air and time. Around the edges of the disk, there’s writing large enough for you to read; but you see there are more small markings on it. You put the disk under a microscope. You see text you recognise in Portuguese - huh, that text next to it is similar in size and shape, you start spotting a word that appears with similar frequency as in the Portuguese, thus you deduce what that one means, and then another, you start seeing linguistic patterns and gain some insight into what characters and writing system are being used. And if you stick with the task long enough, you figure out that language.

This isn’t some futuristic dream. It has already happened. Most famously with the Rosetta Project’s namesake, the Rosetta Stone.

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Allusionist 41: Getting Toasty - transcript

August 21, 2016 The Allusionist

HZ: Where are you speaking to me from right now?
AMY: The geographic South Pole.

HZ: If it weren’t dark outside, Amy Lowitz could look out the window and see the actual South Pole marker.

AL: I’m here at the South Pole, working for the University of Chicago on the South Pole telescope as a winter telescope operator.
CHRISTINE: I’m Christine Moran ... I’m on one year leave to operate the South Pole telescope down here at the South Pole and Antarctica with Amy Lowitz.
HZ: And when did you last see daylight?
AL: [laugh]

CM: April,-ish? I think at least 3-4 months of total darkness, or close to it.

HZ: And a few weeks after the sunlight disappears for the last time before the totally dark months of Antarctic winter, something odd starts to occur. People start to forget - what was it? ...Words! And they drift off without finishing their...uh...

ALLISON: It happens! It happens.

HZ: ...Sentences!

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Allusionist 40: Olympics - transcript

August 5, 2016 The Allusionist

HELEN ZALTZMAN: Welcome back to the EtymOlympics, where the meaning of sport is the sport.
MATTHEW CROSBY: And of course, sport itself, from the French ‘desporter’, used to mean an amusing and fun pastime.
HZ: That’s right, Matthew. Something to remember, football fans. Supposed to be fun.
MC: That meaning was 700 years ago though. A lot has changed in 700 years. Look how much easier it is nowadays to get a soy latte.
HZ: And there's a very excited crowd out there
MC: I can only describe the atmosphere as electric.
HZ: That's because sports commentators can only describe atmospheres as electric.
MC: It's the only adjective I ever learnt.

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Allusionist 38: Small Talk - transcript

June 28, 2016 The Allusionist

ISY: Hi!
HZ: How are you?
ISY: I’m wearing trousers that are kind of digging into my bum in a weird way. They’re a cross between leggings and jeans -
HZ: - jeggings -
ISY: Yeah. And they’re partly falling down and partly digging in, which is quite a strange combination.

HZ: Well great, now I’m all too aware of the state of her bumcrack. But if I didn’t want to know how she is, why did I even ask?
Because that’s what we do, isn’t it? That is how conversations so often begin. And nearly every time, this is how it goes:

How are you?
Fine thanks, and you?
Oh, fine.

It's not informative, so why bother? It's an exchange that indicates a conversation is being initiated. It's small talk: safe, trivial - small.

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In transcript Tags words, language, conversation, small talk, chat, talking, people, communication
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Allusionist 37: Brand It - transcript

May 29, 2016 The Allusionist

There are a few things to consider when naming a podcast:

  • Is someone using the name already? That’s important: do your research; at the very least, go to the iTunes store and check.
  • Is the name such a common word or phrase that your show will not appear in the first thousand pages of Google results?
  • Is the name a riff on a pre-existing title, like That American Life, so no matter how successful your show gets, it will never completely be your own, and always a bit of a parasite on someone else's thing?
  • Is it a riff on ‘pod’ or ‘cast’? That was already stale when I was starting my first podcast nearly ten years ago. Resist the pod puns!
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In transcript Tags words, names, naming, brands, branding, companies, Roman Mars, Nancy Friedman, 99% Invisible, podcasting, podcasts
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Allusionist 36: Big Lit - transcript

May 13, 2016 The Allusionist

The term ‘classic’ turned up in English around the start of the 17th century, when it meant ‘of the highest class’ - same meaning as the Latin ‘classicus’ from which it came. It swiftly became the label for ancient Greek and Latin literature, and by the mid-19th century, that sense had been extended to any works with that sort of quality - though when it comes to the classics of English literature, I’m vague about what that quality is. “Written by dead white men”, going by the selection of classic literature that I had to read at school and university. “Big books that make me feel guilty and stupid for not having read them?” “Source material for TV dramatisations involving bonnets?” Seriously, what does ‘classic’ mean now?

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In transcript Tags books, novels, literature, classics, Kevin Smokler, Jane Austen, movies, films, adaptations, writers, writing
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Allusionist 233. Phobia
Allusionist 233. Phobia

'Phobia' gets used for anything from a mild aversion to a debilitating anxiety response to various forms of bigotry. Deboki Chakravarti and Sam Jones of the podcast Tiny Matters join to consider the term from its comedic origins with one of the founding fathers of the USA, via rabies and Greek deities, to its role in their lives today.

CONTENT NOTE: we’re not trying to stoke anyone’s phobias, but we do discuss some common phobia-inducers, including snakes, germs and small holes, and there’s a brief mention of tarantulas. There’s also talk about OCD and rabies.

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Allusionist 232. Vega
Allusionist 232. Vega

What do you call yourself if you're a part-time vegetarian? What petty linguistic things would you change? And what do you do if people gripe at you if you say that you are bi or pan? To answer these questions from the Allusionist mailbag are esteemed alumsionists: Hrishikesh Hirway and Samin Nosrat of Home Cooking podcast; academic and author Alex Ketchum; lexicographer Kory Stamper; and linguist Lauren Gawne of Lingthusiasm podcast.

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Tranquillusionist: cheesy cheesybobs
Tranquillusionist: cheesy cheesybobs

This is the Tranquillusionist, in which I, Helen Zaltzman, say a series of words to relax your mind, replace a hectic interior monologue, maybe lull you to sleep, hopefully quell the mental uproar just for a little while.

Today: nicknames for woodlice AKA rolypoly bugs AKA slaters AKA all these other things; and a list of cheeses from Great Britain and Ireland.

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sorry lads, we're getting bad ads

TL;DR version:

  • For the show's financial survival (hopefully), over the next few weeks I'm having to switch on programmatic advertisements. This means, for the first time in the show's nearly 12-year existence, you may be subjected to ads that are not voiced, scripted and individually approved by me.

  • If you would prefer to listen to the show without ads in it, patreonise the show at the Gravy, Wedge or Check tiers, which include the perk of an ad-free RSS feed.

Click through to read the rest of the post about why I’m doing this thing I don’t want to do.

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Allusionist 231. Lingthusionist
Allusionist 231. Lingthusionist

“Linguistics and language is such a good mechanism for being curious,” says Lauren Gawne, linguistics prof, author of the book Gesture, and cohost of the podcast Lingthusiasm. I'm in vacation mode (although not on actual vacation alas), so today's episode is a fun chat with our nice pal about making language podcasts, the firey digestive punishments for linguistics researchers, working in reality television, and cute tame nouns versus scary intimidating verbs.

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Allusionist 230. Draculae part 4: Transformation
Allusionist 230. Draculae part 4: Transformation

Throughout the Draculae miniseries, about the Swedish and Icelandic translations of Dracula that played fast and loose with the original text, I've been wondering a couple of questions: why are cover versions of songs and remakes of films so normal and acceptable, whereas cover versions in book form cause such a stir? And do these Scandinavian Draculae count as fan fiction? And if not, why not? Fansplaining.com's Elizabeth Minkel explains what fan fiction can mean.

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Allusionist 229. Draculae part 3: Hunting Down the Count
Allusionist 229. Draculae part 3: Hunting Down the Count

Many mysteries accompany the revelations that Powers of Darkness, the Icelandic and Swedish versions of Dracula, are not direct translations of Bram Stoker's original, but stories that significantly differ in character names, plot and runtime. Like: did Bram Stoker write it himself, to publish some raunchy content that British censors would forbid? Was Powers of Darkness based on his early drafts? And did he really not copyright Dracula in the USA was that a deliberate ruse? Welllll... brace yourself for ole thrill-destroyer Zaltzman to pop your balloons of excitement.

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Allusionist 228. Draculae part 2: Surprises in the Vaults
Allusionist 228. Draculae part 2: Surprises in the Vaults

Happy World Dracula Day to all who celebrate!

This is the second episode of the Draculae miniseries, about a literary mystery which came to me via a meme: “Someone translated Dracula into Icelandic, and it took over 100 years for anyone to point out he just made a fanfic rewrite of what he wanted the story to be.”

In Draculae part 2, Ásgeir Jónsson explains how he got that Icelandic adaptation of Dracula back into print, to little fanfare - but then Dutch scholar Hans Corneel de Roos set about making an English translation. Following that: like me, Will Trimble also got meme-struck, and that propelled him to get a translation of the Swedish version that begat the Icelandic one.

Before listening to this, check out the first episode of the Draculae miniseries explaining the three versions of Dracula: Dracula published by Bram Stoker in 1897; the Icelandic version Makt Myrkranna by newspaper editor Valdimar Ásmundsson, serialised in his newspaper Fyallkonan in 1900-1901; and the Swedish version Mörkrets makter by an author known only as A—e, and serialised in a couple of Swedish newspapers 1899-1900.

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Allusionist 227. Draculae part 1: Enter the Castle
Allusionist 227. Draculae part 1: Enter the Castle

A literary mystery came to me via a meme.

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Allusionist 226. Suburbia
Allusionist 226. Suburbia

"The word ‘suburbia’ sort of evokes a very fixed idea of a place that is identikit, that all suburbs are the same, that within the suburb everything is the same, that all people are the same, all experiences are the same," says social historian and author John Grindrod. "I think it has this kind of flattening-out facility, that word, that isn't true."

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Allusionist 225. Hues
Allusionist 225. Hues

You know what's an absolutely pesky kind of word to define in a dictionary? Colour names. A passel of lexicographers spent years - decades, even - trying different ways to describe colours in words for Webster's Third International Dictionary. It was such a huge, complicated effort that it took twelve years for former Merriam-Webster lexicographer Kory Stamper to write a book about it.

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Allusionist 224. Cosmic Hairball
Allusionist 224. Cosmic Hairball

Pack your oxygen tank, we're going up to space. There’s a lot of etymology up there.

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Allusionist 223. Bonus 2025
Allusionist 223. Bonus 2025
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Allusionist 222. A Christmas Carol
Allusionist 222. A Christmas Carol

Today, we read the novelisation of The Muppet Christmas Carol, also known as the 1843 festive lit hit A Christmas Carol by Charles Dickens.

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The Allusionist by Helen Zaltzman is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.