• Episodes
  • Listen
  • Transcripts
  • Tranquillusionist
  • Events
  • Lexicon
  • Donate
  • Contact
  • Merch
Menu

The Allusionist

Street Address
City, State, Zip
Phone Number
A PODCAST ABOUT LANGUAGE
BY HELEN ZALTZMAN

Your Custom Text Here

The Allusionist

  • Episodes
  • Listen
  • Transcripts
  • Tranquillusionist
  • Events
  • Lexicon
  • Donate
  • Contact
  • Merch

Allusionist 58: Eclipse - transcript

June 16, 2017 The Allusionist

LAUREN MARKS: Words were everything in my life. It was all day, every day, on stage, off stage, on the page...
HZ: Let's go back to what happened.
LAUREN MARKS: Oh, sure.
HZ: How old were you?
LAUREN MARKS: I was 27. I was an actress and a director and a PhD student in New York. And there was absolutely no warning. I mean, I was actually performing on stage when it happened. I went onstage to perform a karaoke duet.
HZ: What was the song?
LAUREN MARKS: It was ‘Total Eclipse of the Heart’.
HZ: Wrong organ.
LAUREN MARKS: I know… No, it's OK to laugh, because I just really am glad I didn't die doing that. So anyways, I was on stage, I was singing... I was up, singing the song... and then I was down.

I collapsed immediately, because it was not known to me at the time but an aneurysm had ruptured in my brain and it was hemorrhaging.

HZ: An aneurysm is a weakness in a blood vessel in the brain. It’s estimated that one in fifty people have such a weakness, but most will never even know about it - only around 1 in 25,000 aneurysms causes trouble.
As she later found out, Lauren Marks had two, and one of them was that 1 in 25,000. It ruptured, and she had a stroke.

Karaoke interrupted, Lauren was taken to hospital. When she woke up, she had undergone brain surgery; but something else had changed.

LAUREN MARKS: When I woke up in the Edinburgh hospital, I had very little language: speaking, reading, writing were all dramatically affected. I probably only had about 40 or 50 words at my disposal.

Read more
In transcript Tags Eclipse, aneurysm, health, aphasia, Lauren Marks, brain, brain injuries, silence, Bonnie Tyler, karaoke
Comment

Allusionist 57: AD/BC - transcript

June 2, 2017 The Allusionist

There’s something I trip over regularly in the Allusionist.

Dates.

It comes up often in this show: “A bit of ancient Greek happened in 350 BC! A word came into English via French in 700 AD!”

That’s 350 Before Christ, 700 Anno Domini, the year of the lord (the lord also being Christ, in case you were expecting it to be the New Zealand singer Lorde).

The thing that makes me pause: Christ… he’s not my guy. I’m not religious at all. So every time I label a year BC or AD, I think, “Am I really allowed to, having not opted into the religion whose figurehead’s putative birthdate is the fulcrum for this whole system?”

And I know some of you will be screaming at me, “Helen! Just substitute BC and AD with BCE and ACE, Before Common Era and After Common Era! If it’s good enough for the United Nations, it’s good enough for you!”

But here’s my issue with BCE and ACE: they are still referring to the same Christ-based dating practices. They might not be using Christy language, but the language it is using aligns commonality with Christianity.

I’m not trying to erase the contributions of Jesus Christ to the culture in which I live. I merely want to know how he came to be so integral to our system of dating.

Read more
In transcript
Comment

Allusionist 56: Joins - transcript

May 19, 2017 The Allusionist

LEE: Hello, my name is Lee. I'm a genderqueer trans masculine gay guy and it's time for me to talk to Helen Zaltzman about my genitals.
So there's actually a lot of different contexts in which genitals come up, and there's different language for each of them. For me as someone who was assigned female at birth and has a vagina has a uterus but mostly passes as male, there's a lot of different things that go into what I'm choosing to call my genitals.

LORELEI: I sometimes like to refer to my genitalia as “anachronistic”, which seems to fit perfectly. I have a friend who refers to my genitalia as “the factory-installed equipment.”

Read more
In transcript
Comment

Allusionist 55: Namaste - transcript

May 5, 2017 The Allusionist

HRISHIKESH HIRWAY: My name is Hrishikesh Hirway. I'm the host of Song Exploder. Helen, I can't stand the word ‘namaste’.
HZ: Really? Why?
HRISHIKESH HIRWAY: Well, first of all most of the time when you hear it in America it's not even pronounced correctly. People say nama.... I can't even do it. Na Mas Te. NAMASTE!
HZ: What are we supposed to say?
HRISHIKESH HIRWAY: Namaste. Namaste. The T has a little T-H. Namaste.
HZ: I’m going to have to practise in my own time. That is a difficult consonant to achieve. I’ll practise by myself; it’ll be less humiliating than with you here, with pity in your eyes.
HRISHIKESH HIRWAY: That’s not pity, it’s judgement.
HZ: OK. It's mispronounced. That's the first problem.
HRISHIKESH HIRWAY: All the time. And then it gets used. You know, I live in LA, which is probably the global hub of McDonald's yoga; and every time it's said you know with this sanctimonious kind of, "Oh, namaste," and I'm like, first, if you're going to use it in this kind of faux profound way, please learn to say it correctly.
HZ: Do you attend yoga classes ever?
HRISHIKESH HIRWAY: I do sometimes go because in things both linguistic and physical, I'm not very flexible.

HZ: So it's trying in two ways.
HRISHIKESH HIRWAY: Yeah.
HZ: And what happens if someone says it to you?

HRISHIKESH HIRWAY: I stay silent. I'm like, do you do you notice that the only Indian person in this room is not saying it?

Read more
In transcript
Comment

Alllusionist 54: The Authority - transcript

April 14, 2017 The Allusionist

KORY STAMPER: Sometimes you want to make the dictionary sexy but it's just not a sexy thing. That's OK.
HZ: It's got rude words in it.
KORY STAMPER: It does have rude words in it. But they're defined really unsexily. There's no oomph to any of the rude words. Alas.
HZ: But it is deliberate that there is no oomph.
KORY STAMPER: Absolutely. The dictionary shouldn't have narrative interest, and you really want - especially with profanity - you really want those definitions to be very clear. But you don't want them to detract from the other definitions around them. Nothing should really stand out in the dictionary as being more interesting or having more narrative interests than any other entry. So they're very deliberately boring. We do deliberately boring very well.
HZ: Why does it have to be boring?
KORY STAMPER: That's a good question.

Read more
In transcript Tags dictionaries, dictionary, lexicography, lexicographers
Comment

Allusionist 53: The Away Team - transcript

March 31, 2017 The Allusionist

EMMA BRIANT: The category of migrant is one that embraces a lot of different groups. This is simply just somebody who is moving one place to another, and that might be internally within a country, or it might be between countries.
HZ: What does 'immigrant' mean?
EMMA BRIANT: 'Immigrant' is relational. So it's somebody who's coming into the country. So when the British media is talking about immigrants, they're talking about people coming to Britain. When the French media is talking about immigrants, they're talking people coming into France. ‘Emigrant’ means people leaving, so people who migrate from Britain to France or to anywhere are emigrating to that country. So it is just about the direction of travel basically.
HZ: And what’s the distinction between ‘asylum seeker’ and ‘refugee’?
EMMA BRIANT: A refugee is somebody who, according to the Refugee Convention, is fleeing war and persecution, torture, this kind of thing; political oppression. And that is a category they have to prove they are in that position. So somebody who is trying to become a refugee is called an asylum seeker. So they haven't had their case heard yet. And once their application has been heard,  if it's worked successfully and it's not rejected, then they become a refugee, and they are entitled to be treated the same as any other citizen in the country, so they should be entitled to everything another citizen would get. These kinds of categories get used very indistinctly, and I think there's an awful lot of misunderstanding.

Read more
In transcript
Comment

Allusionist 14 rerun: Behave - transcript

March 17, 2017 The Allusionist

HZ: How do you make the words tormenting your brain behave themselves?

JANE GREGORY: It’s basically stripping it of any meaning at all, reducing it back down to a series of letters or a string of letters that don’t actually have to mean anything. If you have a random thought that doesn’t mean anything to you, eg the sky is orange, you don’t latch onto that and think, “What’s wrong with me, thinking the sky is orange?” or “The sky must be orange, because I had that thought”. But if you had the thought, “I’m a failure,” when that pops into your mind, for some reason you pay attention to that as if that’s true.

Read more
In transcript
Comment

Allusionist 52: Sanctuary - transcript

March 8, 2017 The Allusionist

With the term ‘sanctuary cities’ in the news a lot in the past few weeks, our Radiotopian sibling 99% Invisible just made a two-parter tracing the origins of the modern sanctuary movement, which provides refuge for the persecuted, the vulnerable and, lately in particular, undocumented immigrants. So I wanted to dig further into the word ‘sanctuary’, which derives from the Latin ‘sanctuarium’, a sacred or private space. Its root was the Latin word ‘sanctus’, meaning ‘holy’.

That there is a religious element in ‘sanctuary’ isn’t surprising: buildings of worship provide protection and safety during the modern sanctuary movement, as they have throughout history.

Since the mid-16th century, the word ‘sanctuary’ has carried the more general sense of a place of refuge, not necessarily a religious one.

But before then, the word had a meaning that is a pretty big contrast to the modern sanctuary movement: for at least a thousand years in England, until James I abolished it in 1623, sanctuary was not for people fleeing injustice, but for people fleeing justice.


JOHN JENKINS: If you'd committed a crime, if you could get yourself to a place of religious significance - a church, a cathedral, even things like a monastery or an abbot's house or in some respects, even just land that belonged to the church or was near to it, then you were able to effectively evade justice for a period of time.

Read more
In transcript
Comment

Allusionist 51: Under the Covers part II

February 22, 2017 The Allusionist

KAITLIN PREST: It's hard to describe feelings with words, with the English language that we have.
HZ: Oh good. It's not just me.
KAITLIN PREST: No! Oh my god! I've dedicated my entire life to trying to do this and I still find it close to impossible. It's hard to take a physical experience that is quite vivid and try to filter it through our brain, which is rational and intellectual, and then come out with a piece of language that can get at even the beginning of what that physical experience is like.

HZ: Stupid useless language!

KAITLIN PREST: I have had to face the question of “how do I translate this experience in writing?” I've done a million pieces about masturbating, like how do you how do you put to words what's going on here in a way that actually translates the experience? The experience of masturbating is really sexy, but even the word 'masturbate' is disgusting. It's my favorite thing to do. Least favorite thing to say.
HZ: So do you have a word that you prefer for it?
KAITLIN PREST: But that's the thing! There's no alternative that feels right to me. No.

Read more
In transcript
Comment

Allusionist 50: Under the Covers part I - transcript

February 8, 2017 The Allusionist

LEAH KOCH: There is a certain amount of defense in being a romance fan; if you're going to be a vocal romance fan, unfortunately, you're going to have to spend some of that time explaining to people why what you like is valid and why their opinion is stupid.
HZ: Do it.
LEAH KOCH: OK! The most basic response is: "Why on Earth do you care what I am reading?" I never say that, but that is the honest question - it's like, why do you care? I like it! But let's get slightly more academic than that. Romance is primarily written by women for women. Let's not diminish the contributions of men, but let's set them aside for a second. It's a female-dominated genre.
BEA KOCH: And historically it's associated with a female readership, which is very important in the critical perception of the genre.
LEAH KOCH: Right. So it's books where women's thoughts, emotions, sexuality, take centre stage; and there's a lot of other stuff that happens around it, you know, that's what subgenres are. So it's surrounded by carriages and dresses or surrounded by vampires and werewolves or surrounded by FBI guys on the run, whatever: that's all secondary. The thing at the heart of it is a woman's experience.

Read more
In transcript Tags love, romance, novels, literature, books, reading, Mills & Boon, The Ripped Bodice
Comment

Allusionist 49: Bonus 2016 - transcript

December 30, 2016 The Allusionist

Why is gaslighting 'gaslighting'? What do bodily fluids have to do with personality traits? Why does 'cataract' mean a waterfall and an eye condition? And do doctors really say 'Stat!' or is that just in ER?

It's the end-of-2016 bonus edition of the Allusionist, containing some of your etymological requests and extra chat from some of this year's guests

Read more
In transcript Tags four humours, four humors, sanguine, blood, bloody, Isaac Siemens, medicine, quack, cataract, waterfall, branding, care, hospital, doctors, bonus episode, bonus, Nancy Friedman, marijuana, Jane Solomon, search, words, dictionary.com, dictionary, dictionaries, gaslighting, gaslight, breaking up, divorce, nuchal, etymology, Nick Allen
Comment

Allusionist 48: Winterval - transcript

December 9, 2016 The Allusionist

The War on Christmas - when did that start? Upon the birth of Jesus Christ himself, when King Herod ordered all the baby boys in and around Bethlehem be killed? In 1644, when Oliver Cromwell’s Puritans passed an ordinance prohibiting Christmas celebrations?

In 1659, when the Massachusetts Bay Colony Puritans managed to get Christmas banned for 22 years for being a pagan festival?

Or, was it in 1998, in Britain’s second largest city, Birmingham? If you picked up practically any newspaper at the time, you would have read that Birmingham city council had renamed Christmas ‘Winterval’.

Read more
In transcript
Comment

Allusionist 47: The Year Without A Summer - transcript

November 22, 2016 The Allusionist

ERIC MOLINSKY: It was a dark and stormy night.

I know that’s the ultimate cliché, but if there ever was a story that began on a dark and stormy night, this was it. It was the middle of June 1816, when Mary Shelley started writing a novel called Frankenstein; or the New Prometheus.

But here’s the funny thing: usually we celebrate the year a work of art came out, which in this case would be 1818 because Mary Shelley spent two years writing Frankenstein. So why are we celebrating the moment of inspiration? Because June 16, 1816 – not just what was happening in Mary Shelley’s room that night, but what was happening around the world - might actually offer us a glimpse into our future.

Read more
In transcript
1 Comment

Allusionist 46: The State Of It - transcript

November 7, 2016 The Allusionist

Each of the 50 states in the USA has its own motto. The motto might be found on the state seal, or the state flag; more often than not, it might be in Latin; it might be a phrase or a single word.

If you reside in the USA and you’re thinking, yeah, I know my state motto, it’s on all the license plates: ‘Montana: Big Sky Country’, say, in, or ‘Florida: The Sunshine State’ or ‘Famous Potatoes’- get in, Idaho.

Sorry, friends, these are not the state mottos.

Read more
In transcript
Comment

Allusionist 45. Eponyms II - Name That Disease

October 18, 2016 The Allusionist

ROMAN MARS: Would the Heimlich Manoeuvre be something that people knew if it wasn't attached to a name like Heimlich? No, I don’t think so.

HZ: Would it have made the news in May of this year when 96-year-old Dr Henry Heimlich himself saved a woman from choking on a piece of hamburger meat by using the manoeuvre that bears his name?

RM: So I still like eponyms in these ways that they help tell an interesting story. But I totally get why and I'm not so tied to my world view or nostalgia that I cannot accept that it would be better another way.

HZ: Well, good, because there are certainly some aspects to eponyms that I don’t think you’d like, Roman.

Read more
In transcript
Comment
← Newer Posts Older Posts →
Allusionist Patreon
Featured
Allusiovaults: Yes, As In
Allusiovaults: Yes, As In

Since we've been talking about names for the past couple of episodes, here's one of my favourites from the Allusiovaults: Yes, As In, featuring people who have names that are more usually found as common nouns and adjectives.

Read more →
Allusionist 235. Trevor
Allusionist 235. Trevor

"I just thought: I wonder if I could get guys called Trevor to reclaim the name?" says Trevor Cunningham. "So I went on LinkedIn and I just looked for Trevors, and I started contacting them." And, having found way more Trevors than he had ever met in his life, Trevor set up AskTrev.com, a site where people can get advice for free from people named Trevor. Such as engineer Trevor Murphy, who explains why he joined this society of Trevors.

Read more →
Allusionist 234. No Names
Allusionist 234. No Names

Alexinomia is the aversion to saying people's names. Psychologist Thomas Ditye explains what it means to have this condition - in some cases not even saying your spouse's name during 25 years of marriage - and the research he and colleague Lisa Welleschick are doing to learn more about it.

Read more →
Allusionist 233. Phobia
Allusionist 233. Phobia

'Phobia' gets used for anything from a mild aversion to a debilitating anxiety response to various forms of bigotry. Deboki Chakravarti and Sam Jones of the podcast Tiny Matters join to consider the term from its comedic origins with one of the founding fathers of the USA, via rabies and Greek deities, to its role in their lives today.

CONTENT NOTE: we’re not trying to stoke anyone’s phobias, but we do discuss some common phobia-inducers, including snakes, germs and small holes, and there’s a brief mention of tarantulas. There’s also talk about OCD and rabies.

Read more →
Allusionist 232. Vega
Allusionist 232. Vega

What do you call yourself if you're a part-time vegetarian? What petty linguistic things would you change? And what do you do if people gripe at you if you say that you are bi or pan? To answer these questions from the Allusionist mailbag are esteemed alumsionists: Hrishikesh Hirway and Samin Nosrat of Home Cooking podcast; academic and author Alex Ketchum; lexicographer Kory Stamper; and linguist Lauren Gawne of Lingthusiasm podcast.

Read more →
Tranquillusionist: cheesy cheesybobs
Tranquillusionist: cheesy cheesybobs

This is the Tranquillusionist, in which I, Helen Zaltzman, say a series of words to relax your mind, replace a hectic interior monologue, maybe lull you to sleep, hopefully quell the mental uproar just for a little while.

Today: nicknames for woodlice AKA rolypoly bugs AKA slaters AKA all these other things; and a list of cheeses from Great Britain and Ireland.

Read more →
78AF926C-7878-4567-A87F-13CFF415B647_1_105_c.jpeg
sorry lads, we're getting bad ads

TL;DR version:

  • For the show's financial survival (hopefully), over the next few weeks I'm having to switch on programmatic advertisements. This means, for the first time in the show's nearly 12-year existence, you may be subjected to ads that are not voiced, scripted and individually approved by me.

  • If you would prefer to listen to the show without ads in it, patreonise the show at the Gravy, Wedge or Check tiers, which include the perk of an ad-free RSS feed.

Click through to read the rest of the post about why I’m doing this thing I don’t want to do.

Read more →
Allusionist 231. Lingthusionist
Allusionist 231. Lingthusionist

“Linguistics and language is such a good mechanism for being curious,” says Lauren Gawne, linguistics prof, author of the book Gesture, and cohost of the podcast Lingthusiasm. I'm in vacation mode (although not on actual vacation alas), so today's episode is a fun chat with our nice pal about making language podcasts, the firey digestive punishments for linguistics researchers, working in reality television, and cute tame nouns versus scary intimidating verbs.

Read more →
Allusionist 230. Draculae part 4: Transformation
Allusionist 230. Draculae part 4: Transformation

Throughout the Draculae miniseries, about the Swedish and Icelandic translations of Dracula that played fast and loose with the original text, I've been wondering a couple of questions: why are cover versions of songs and remakes of films so normal and acceptable, whereas cover versions in book form cause such a stir? And do these Scandinavian Draculae count as fan fiction? And if not, why not? Fansplaining.com's Elizabeth Minkel explains what fan fiction can mean.

Read more →
Allusionist 229. Draculae part 3: Hunting Down the Count
Allusionist 229. Draculae part 3: Hunting Down the Count

Many mysteries accompany the revelations that Powers of Darkness, the Icelandic and Swedish versions of Dracula, are not direct translations of Bram Stoker's original, but stories that significantly differ in character names, plot and runtime. Like: did Bram Stoker write it himself, to publish some raunchy content that British censors would forbid? Was Powers of Darkness based on his early drafts? And did he really not copyright Dracula in the USA was that a deliberate ruse? Welllll... brace yourself for ole thrill-destroyer Zaltzman to pop your balloons of excitement.

Read more →
queer playlist
Read more →
Allusionist 228. Draculae part 2: Surprises in the Vaults
Allusionist 228. Draculae part 2: Surprises in the Vaults

Happy World Dracula Day to all who celebrate!

This is the second episode of the Draculae miniseries, about a literary mystery which came to me via a meme: “Someone translated Dracula into Icelandic, and it took over 100 years for anyone to point out he just made a fanfic rewrite of what he wanted the story to be.”

In Draculae part 2, Ásgeir Jónsson explains how he got that Icelandic adaptation of Dracula back into print, to little fanfare - but then Dutch scholar Hans Corneel de Roos set about making an English translation. Following that: like me, Will Trimble also got meme-struck, and that propelled him to get a translation of the Swedish version that begat the Icelandic one.

Before listening to this, check out the first episode of the Draculae miniseries explaining the three versions of Dracula: Dracula published by Bram Stoker in 1897; the Icelandic version Makt Myrkranna by newspaper editor Valdimar Ásmundsson, serialised in his newspaper Fyallkonan in 1900-1901; and the Swedish version Mörkrets makter by an author known only as A—e, and serialised in a couple of Swedish newspapers 1899-1900.

Read more →
Allusionist 227. Draculae part 1: Enter the Castle
Allusionist 227. Draculae part 1: Enter the Castle

A literary mystery came to me via a meme.

Read more →
Allusionist 226. Suburbia
Allusionist 226. Suburbia

"The word ‘suburbia’ sort of evokes a very fixed idea of a place that is identikit, that all suburbs are the same, that within the suburb everything is the same, that all people are the same, all experiences are the same," says social historian and author John Grindrod. "I think it has this kind of flattening-out facility, that word, that isn't true."

Read more →
Allusionist 225. Hues
Allusionist 225. Hues

You know what's an absolutely pesky kind of word to define in a dictionary? Colour names. A passel of lexicographers spent years - decades, even - trying different ways to describe colours in words for Webster's Third International Dictionary. It was such a huge, complicated effort that it took twelve years for former Merriam-Webster lexicographer Kory Stamper to write a book about it.

Read more →
Creative Commons Licence
The Allusionist by Helen Zaltzman is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.