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The Allusionist

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A PODCAST ABOUT LANGUAGE
BY HELEN ZALTZMAN

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The Allusionist

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Allusionist 14 rerun: Behave

March 17, 2017 The Allusionist

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Sometimes words can become your worst enemy. Clinical psychologist and cognitive behavioural therapist Dr Jane Gregory tells how to defuse their power.

The main part of this episode is a rerun of episode 14; visit theallusionist.org/behave to see the full show notes. There's a new piece of word history this time round, though: the etymology of 'control'. Strap in for a wild ride down to the 13th century accounts department!

I had forgotten I had quite a rough throat when I recorded this episode originally; it sounds like I'm whispering reverently, whereas I'm just trying not to wake the hacking cough. Bit of insight into The Process for you there.

The transcript is at theallusionist.org/transcripts/behave-rerun.

MEET ME OUTSIDE:

  • Want to know more about being a podcaster? Come to PRX's Podcast Garage on 3 April, when Martin Austwick - from Answer Me This, Song By Song and my marriage - and I will be talking about what we've learned from ten years in this racket. Tickets are free, click here to reserve one.

  • Roman Mars and I - and Martin, again - will be performing our new joint live collaboration 99% Allusional: Objects and Words for Beautiful Nerds on 14 April at the Zipper Hall in Los Angeles, to raise funds for Arts for LA. It will be the best night of educational entertainment you'll have all week/month/year/life. Click here to buy tickets.

TODAY'S RANDOMLY SELECTED WORD FROM THE DICTIONARY:
aglet

CREDITS:

  • Dr Jane Gregory is a clinical psychologist working in the NHS and her own private practice. She blogs at cognitivebehaveyourself.com and tweets @CBYourself. Visit thisiscbt.com to learn more about CBT and different types of therapy.

  • This episode was produced by me, Helen Zaltzman. All the music is by Martin Austwick. Hear and/or download more at thesoundoftheladies.bandcamp.com.

  • Say hello to me at facebook.com/allusionistshow, twitter.com/allusionistshow and twitter.com/helenzaltzman.

- HZ

In episodes Tags control, psychology, CBT, therapy, mental health, language
← Allusionist 53: The Away TeamAllusionist 52: Sanctuary →
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TL;DR version:

  • For the show's financial survival (hopefully), over the next few weeks I'm having to switch on programmatic advertisements. This means, for the first time in the show's nearly 12-year existence, you may be subjected to ads that are not voiced, scripted and individually approved by me.

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Click through to read the rest of the post about why I’m doing this thing I don’t want to do.

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Allusionist 231. Lingthusionist
Allusionist 231. Lingthusionist

“Linguistics and language is such a good mechanism for being curious,” says Lauren Gawne, linguistics prof, author of the book Gesture, and cohost of the podcast Lingthusiasm. I'm in vacation mode (although not on actual vacation alas), so today's episode is a fun chat with our nice pal about making language podcasts, the firey digestive punishments for linguistics researchers, working in reality television, and cute tame nouns versus scary intimidating verbs.

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Throughout the Draculae miniseries, about the Swedish and Icelandic translations of Dracula that played fast and loose with the original text, I've been wondering a couple of questions: why are cover versions of songs and remakes of films so normal and acceptable, whereas cover versions in book form cause such a stir? And do these Scandinavian Draculae count as fan fiction? And if not, why not? Fansplaining.com's Elizabeth Minkel explains what fan fiction can mean.

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Many mysteries accompany the revelations that Powers of Darkness, the Icelandic and Swedish versions of Dracula, are not direct translations of Bram Stoker's original, but stories that significantly differ in character names, plot and runtime. Like: did Bram Stoker write it himself, to publish some raunchy content that British censors would forbid? Was Powers of Darkness based on his early drafts? And did he really not copyright Dracula in the USA was that a deliberate ruse? Welllll... brace yourself for ole thrill-destroyer Zaltzman to pop your balloons of excitement.

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Allusionist 228. Draculae part 2: Surprises in the Vaults
Allusionist 228. Draculae part 2: Surprises in the Vaults

Happy World Dracula Day to all who celebrate!

This is the second episode of the Draculae miniseries, about a literary mystery which came to me via a meme: “Someone translated Dracula into Icelandic, and it took over 100 years for anyone to point out he just made a fanfic rewrite of what he wanted the story to be.”

In Draculae part 2, Ásgeir Jónsson explains how he got that Icelandic adaptation of Dracula back into print, to little fanfare - but then Dutch scholar Hans Corneel de Roos set about making an English translation. Following that: like me, Will Trimble also got meme-struck, and that propelled him to get a translation of the Swedish version that begat the Icelandic one.

Before listening to this, check out the first episode of the Draculae miniseries explaining the three versions of Dracula: Dracula published by Bram Stoker in 1897; the Icelandic version Makt Myrkranna by newspaper editor Valdimar Ásmundsson, serialised in his newspaper Fyallkonan in 1900-1901; and the Swedish version Mörkrets makter by an author known only as A—e, and serialised in a couple of Swedish newspapers 1899-1900.

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Allusionist 227. Draculae part 1: Enter the Castle
Allusionist 227. Draculae part 1: Enter the Castle

A literary mystery came to me via a meme.

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Allusionist 226. Suburbia
Allusionist 226. Suburbia

"The word ‘suburbia’ sort of evokes a very fixed idea of a place that is identikit, that all suburbs are the same, that within the suburb everything is the same, that all people are the same, all experiences are the same," says social historian and author John Grindrod. "I think it has this kind of flattening-out facility, that word, that isn't true."

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Allusionist 225. Hues
Allusionist 225. Hues

You know what's an absolutely pesky kind of word to define in a dictionary? Colour names. A passel of lexicographers spent years - decades, even - trying different ways to describe colours in words for Webster's Third International Dictionary. It was such a huge, complicated effort that it took twelve years for former Merriam-Webster lexicographer Kory Stamper to write a book about it.

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Allusionist 224. Cosmic Hairball
Allusionist 224. Cosmic Hairball

Pack your oxygen tank, we're going up to space. There’s a lot of etymology up there.

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Allusionist 223. Bonus 2025
Allusionist 223. Bonus 2025
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Allusionist 222. A Christmas Carol
Allusionist 222. A Christmas Carol

Today, we read the novelisation of The Muppet Christmas Carol, also known as the 1843 festive lit hit A Christmas Carol by Charles Dickens.

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Allusionist 221. Scribe
Allusionist 221. Scribe

"I have never felt so naked. That's how exposed I felt at the idea that my handwriting was going to be seen by the world," says Tim Brookes, founder of the Endangered Alphabets Project and author of the new book about handwriting By Hand: Can the Art of Writing Be Saved? Writing the book (yes, by hand!) celebrates the act of handwriting, even overcoming the shame arising from his own.

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Allusionist 220. Disobedience
Allusionist 220. Disobedience

“The more we look into social structures, the more many of us realize we don't fit into them," says So Mayer, author of the new book Bad Language, "So each phrase or set of vocabulary is another piece of that dismantlement.” We discuss finding vocabulary for oneself, coming out as a speech act, growing up under Section 28, busting through oppression and shame, and joyous listening.

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Allusionist 219. Making Trouble
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A change of scene for one episode: recently the brilliant poet and performer Molly Naylor interviewed me for her podcast Making Trouble, about creativity, and she kindly let me run a version of that episode here for you. We're talking about ideas, but also long-term creative careers, mortality, podcasting, external validation, and Molly offers some great prompts for either sparking ideas or making a dinner conversation a bit more lively.

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The Allusionist by Helen Zaltzman is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.